"Yes," she replied; "but curiously enough I have never actually counted
them. My mother once pointed out to me that if you start from the centre
and count up one line, along the outside and down the next line, there
are always eight rubies. So I should always know if a stone were
missing."
[Illustration]
Six months later a brother of Lady Littlewood's, who had returned from
his regiment in India, noticed that his sister was wearing the ruby
brooch one night at a county ball, and on their return home asked to
look at it more closely. He immediately detected the fact that four of
the stones were gone.
"How can that possibly be?" said Lady Littlewood. "If you count up one
line from the centre, along the edge, and down the next line, in any
direction, there are always eight stones. This was always so and is so
now. How, therefore, would it be possible to remove a stone without my
detecting it?"
"Nothing could be simpler," replied the brother. "I know the brooch
well. It originally contained forty-five stones, and there are now only
forty-one. Somebody has stolen four rubies, and then reset as small a
number of the others as possible in such a way that there shall always
be eight in any of the directions you have mentioned."
There was not the slightest doubt that the Brompton jeweller was the
thief, and the matter was placed in the hands of the police. But the man
was wanted for other robberies, and had left the neighbourhood some time
before. To this day he has never been found.
The interesting little point that at first baffled the police, and which
forms the subject of our puzzle, is this: How were the forty-five rubies
originally arranged on the brooch? The illustration shows exactly how
the forty-one were arranged after it came back from the jeweller; but
although they count eight correctly in any of the directions mentioned,
there are four stones missing.
424.--THE DOVETAILED BLOCK.
[Illustration]
Here is a curious mechanical puzzle that was given to me some years ago,
but I cannot say who first invented it. It consists of two solid blocks
of wood securely dovetailed together. On the other two vertical sides
that are not visible the appearance is precisely the same as on those
shown. How were the pieces put together? When I published this little
puzzle in a London newspaper I received (though they were unsolicited)
quite a stack of models, in oak, in teak, in mahogany, rosewood,
satinwood, elm, and deal; some half a foot in length, and others varying
in size right down to a delicate little model about half an inch square.
It seemed to create considerable interest.
425.--JACK AND THE BEANSTALK.
[Illustration]
The illustration, by a British artist, is a sketch of Jack climbing the
beanstalk. Now, the artist has made a serious blunder in this drawing.
Can you find out what it is?
426.--THE HYMN-BOARD POSER.
Public-domain text, read in full here on John Shaqi.
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