An Abridgment of the Architecture of Vitruvius: Containing a System of the Whole Works of that AuthorVitruvius Pollio
History
An Abridgment of the Architecture of Vitruvius: Containing a System of the Whole Works of that Author
Vitruvius Pollio
Architecture -- Early works to 1800
The Pillars were as high as the Isles or Wings were broad, and these
Isles or Wings had a third part of the great Vault in the middle.
There was likewise a Second rank of Pillars upon the Wings, which made
high Galleries, and these Second rank of Pillars were placed upon a
_Pedestal_ in the form of a Partition, high enough to hinder those that
were in the high Galleries from being seen by those that were below.
At the End of every _Basilica_, there was a high and great Hall called
_Chalcidiques_, which were joyned one to another by high Galleries:
they served the Spectators while Justice was distributed.
The _Theaters_ were composed of three parts, _viz._ The Steps or
Degrees, which were instead of Seats for the Spectators: they were
disposed in a Semi-circle, and they closed a void space in the middle
and at the bottom of the whole _Theater_, which was called the
_Orchestra_.
[Sidenote: _Lib. 5. Chap. 6._]
The _Orchestra_ was made in the _Graecian Theatre_, to Dance the Ballets.
The Senators were placed in that of the _Romans_, because the Ballets
were Danced upon the Scene.
[Sidenote: _Lib. 5. Chap. 6._]
[Sidenote: _Lib. 5. Chap. 6._]
Above and quite round the Steps or Degrees was a _Portico_ of Pillars,
the Steps being separated by divers _Palliers_ or Landing and Resting
places which went round, and by streight passages which went ascending
from one _Palliere_ or Landing place to another; so that the ways which
led from the second _Palliere_ to the third, parted betwixt those of the
first, and ended betwixt those of the third. The Steps or Degrees were
14 or 15 Inches high, and from 28 to 30 broad.
Under the Degrees, above every _Palliere_, there were in the great
_Theaters_ 13 _Chambers_, in which were Vessels of Brass, set to several
Tunes, or Tones; which by their Echo augmented the Voice of the Players.
The Scene or Stage, was composed of the _Pulpit_, the _Proscenium_ and
the _Parascenium_. The _Pulpit_ was the place where the Actors played:
it was raised not above five Foot at the most above the _Orchestra_, or
_Pit_.
The _Proscenium_ was the Front of the Stage, which was adorned with
Pillars of several sorts one above another. These Orders were so
proportioned, that the second was a fourth part lesser than the first.
The third diminishing according to the same Proportion.
The Front had three Gates, that in the middle which was the greatest was
called the _Royal Gate_, the two others were called the _Gates of
Strangers_.
[Sidenote: _Lib. 5._]
These three Gates were closed with Machines, made in a Triangle, and
composed of three Fronts or Faces well Painted, to represent Buildings
in Perspective; they served for the changing of the Scenes, when these
Machines were turned. And the Paintings represented three sorts of
Buildings, which made three sorts of Scenes, _viz._ The _Tragick_ by
_Magnificent Pallaces_, the _Comick_ by _Private Houses_, the
_Satyrical_ (_i. e._ the _Pastoral_) by _Fields_ and _Groves_.
Public-domain text, read in full here on John Shaqi.
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