An Account of the Abipones, an Equestrian People of Paraguay, (2 of 3)Dobrizhoffer, Martin
History
An Account of the Abipones, an Equestrian People of Paraguay, (2 of 3)
Dobrizhoffer, Martin
Abipon Indians; Jesuits -- Missions; Paraguay -- Description and travel -- Early works to 1800
But now let us contemplate the Abipones triumphing after a successful
fight. If the event has answered to their wishes they fill the country
with joyful rumours of victory, and generally exaggerated accounts of
the slaughter of the enemy. They who have behaved with distinguished
valour have the ears and eyes of all directed towards them. They who
have received wounds in the battle deliver themselves to be sucked to a
crowd of juggler physicians, a multitude of spectators admiring and
extolling their constancy and fortitude. Great numbers flock to behold
the spoils and trophies taken from the enemy. The women, giving way to
an excess of gladness, seem mad with joy; they would make no end of
singing, leaping, and applauding, were they not obliged to turn their
attention towards making preparations for the public drinking-party of
their husbands; who, at the same time that they wash the horrible
colours from their faces, endeavour to clear from their minds, with
wine, their past anxiety respecting the conflict. In the assembly of
drinkers, where the victory is celebrated amidst confused clamours, and
songs accompanied with the sound of gourds and drums; when all are
heated with liberal draughts of mead, each begins to relate his own
brave actions, and to laugh at the errors, cowardice, and flight of
others; which not being endured by any of the Abipones, the warriors
contend furiously amongst themselves, first with fists, and then,
growing more enraged, with spears and arrows. Did not the women
interpose to effect a reconciliation, and employ themselves in snatching
away their weapons, and leading their husbands home, it is beyond a
doubt that more would be killed after the battle than in the battle.
Public-domain text, read in full here on John Shaqi.
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