An Account of the Danes and Norwegians in England, Scotland, and IrelandWorsaae, Jens Jacob Asmussen
History
An Account of the Danes and Norwegians in England, Scotland, and Ireland
Worsaae, Jens Jacob Asmussen
Great Britain -- Civilization -- Scandinavian influences; Northmen -- Great Britain; Northmen -- Ireland
Previous to the Norman conquest, the Danes settled in England were
naturally unable to influence, in a like degree, the style of English
architectural works. Their sway there was both too short and too
unsettled for such a purpose: not to mention that the Danes had still
much to learn from the Anglo-Saxons in the art of building; for the
latter had long been Christians, and were besides settled in a country
possessing abundant remains of the magnificent architectural works of
the Romans. Nevertheless it is not incredible that several of the many
churches and convents then and subsequently erected by Danish princes
and chiefs, and especially in the northern parts of England, but which
are now for the most part either rebuilt, or have entirely disappeared,
may have borne the stamp of their Scandinavian origin. We are led to
this opinion by the ruling inclination manifested by the ancient
Northmen to let their own conceptions pierce through, even in their
imitations of foreign objects. Numerous and contemporary evidences in
England itself also sufficiently prove to what a remarkable extent the
Danes must have devoted themselves to peaceful occupations, long before
the Norman conquest. In these, indeed, which relate to only a single
branch of art, the Anglo-Saxons were their teachers; still they will
show that the Danes were neither wanting in a natural capacity for art,
nor in faculty or will for its further development.
It has been stated before that the Danes, previously to the conquest of
England, were unacquainted with the art of coining money. At most they
only imitated the Byzantine coins by fabricating the (so-called)
“_Bracteates_,” which, however, were stamped only on one side, and were
for the most part used merely as ornaments. But the art of coining was
very ancient in England. It was customary among the Anglo-Saxons for the
coiners to put their names on the coins struck by them. The quantity of
Anglo-Saxon coins that has in the course of time been found and
examined, has afforded an opportunity for inspecting and comparing a
considerable number of names of coiners in England, especially from the
eighth and ninth centuries until far into the thirteenth. About Edward
the First’s time, the names of the coiners were no longer suffered to
occupy so conspicuous a place on the coins as previously.
Public-domain text, read in full here on John Shaqi.
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