An Account of the Danes and Norwegians in England, Scotland, and IrelandWorsaae, Jens Jacob Asmussen
History
An Account of the Danes and Norwegians in England, Scotland, and Ireland
Worsaae, Jens Jacob Asmussen
Great Britain -- Civilization -- Scandinavian influences; Northmen -- Great Britain; Northmen -- Ireland
The Shetlanders still retained, in the last century, many of the customs
of their Scandinavian forefathers. Thus surnames were given both to sons
and daughters, according to the genuine Scandinavian custom, from the
father’s Christian name. The eldest son, for instance, of Magnus
Anderson was called Anders Magnuson, and all the other sons had likewise
the surname of Magnuson; whilst the daughters, in like manner, were all
called Magnus-daughter, of course with different Christian names. Even
the Norwegian language is said to have been spoken at that time by some
few old persons in the most remote islands. The traditions and songs
handed down by their forefathers still lived among the people, whose
poets and poetical feeling have been celebrated from the earliest times.
It was customary to revive the memory of former days by festal
assemblies, in which the youth of both sexes danced to songs (“Visecks”)
and ballads, as they did in ancient times throughout the North, and as
is still the custom in the Faroe Isles. At Yule time (Christmas), which
was the chief festival, and the beginning of which was always announced
at daybreak by playing an ancient Norwegian melody, called “the
day-dawn” (_Dan._, Daggry), all kinds of merriment took place. A
favourite amusement was the so-called sword-dance, the origin of which
may be traced with sufficient certainty to the times of the heathens.
The Vikings were frequently very dexterous in playing with naked swords,
throwing several at once into the air without allowing them to fall to
the ground. This practice was easily converted into a dance, performed
by several men with drawn swords; and consisting of many windings and
figures calculated to develope a dexterous agility, which, in those
warlike times, must naturally have excited a lively interest among the
spectators. Later in the middle ages the sword-dance in the Shetland
Isles lost by degrees the wildness of its character, the number of
dancers being limited to seven, representing the Seven Champions of
Christendom, viz., St. James of Spain, St. Denis of France, St. Anthony
of Italy, St. David of Wales, St. Patrick of Ireland, St. Andrew of
Scotland, all under the command of St. George of England, who both
opened and closed the dance by reciting some English verses appropriate
to the occasion.
Public-domain text, read in full here on John Shaqi.
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