An Account of the Danes and Norwegians in England, Scotland, and IrelandWorsaae, Jens Jacob Asmussen
History
An Account of the Danes and Norwegians in England, Scotland, and Ireland
Worsaae, Jens Jacob Asmussen
Great Britain -- Civilization -- Scandinavian influences; Northmen -- Great Britain; Northmen -- Ireland
History, however, as well as the building itself, teaches us that the
whole church, as it now stands, was by no means the work of Kol and
Ragnvald. For, first, it is known that the pillars farthest towards the
east and west, marked in the annexed ground plan with the faintest
shade, belong to additions made at a far later period (viz., as late as
the sixteenth century); and secondly, it is not even decided whether Kol
and Ragnvald built the whole of the remaining part of the church, the
transepts included, or whether they built only that part of the present
choir which, from the two eastern pillars of the tower, comprises the
six nearest pillars to the east, marked on the ground plan with the
darkest shade. Between this last-named portion of the choir, which is
undoubtedly the oldest part of the church, and the portion lying to the
west, whose pillars on the ground plan have a rather lighter shade,
there is a perceptible difference of style.
That zealous and skilful archæologist, Sir Henry Dryden, Bart., of
Canons Ashby, to whom I am indebted for the original of the following
ground plan, likewise did me the favour to give me, among several large
drawings, a very excellent, but here very reduced, section of that part
of the choir which is certainly known to have been built by Kol and
Ragnvald. The section is taken from the middle of the nave, and
represents a part of the northern side walls nearest to one of the
pillars of the tower. It enables us to form an idea of the very
considerable size of the church, and of the importance of Kol’s and
Ragnvald’s labours, as well as readily to perceive in what style the
church was originally built. This style, which in England is called the
Norman, was indeed already somewhat obsolete in more southern districts
at the time when St. Magnus’ Church was built; but it was quite natural
that, so far northwards, it should be retained somewhat longer,
especially as the architect was a native of the still more northern
country of Norway.
[Illustration: [++] St. Magnus’ Church - Floorplan]
[Illustration: [++] St. Magnus’ Church - Interior]
Public-domain text, read in full here on John Shaqi.
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