Of their military exercises the (lab el Borode) riding full speed, and firing, is the only one; this is performed by all those who keep horses; a party starts off together, and running full gallop fire their muskets, stopping short close to some wall, those being considered the best horsemen who approach nearest the wall, and stop shortest; they then return, load again, and renew the race: this is the mode after which they charge an enemy. In the markets and public streets are seen expert jugglers, who perform astonishing feats of _leger-de-main_ with most curious and unaccountable deceptions: the province of Suse is most celebrated for these arts. Certain theatrical orators go about the most busy parts of the cities, and arrest the attention of the passengers by declamation. Some of these players personify all the various characters of a drama with exquisite spirit and humour. In the evening these amusements are laid aside and the Assfæhna, or dancing boys, excite the attention of the populace; these boys are accompanied by a governor, or master, who is indispensibly of a musical turn, and is accompanied by a kettle-drum, a flute made of a reed, and similar in sound to the pandean pipe, and an instrument with two strings, somewhat like the Greek lyre. These dancers are habited in gaudy attire, and move their feet in dancing without taking them off the ground, but gradually proceeding forwards, till they, by a signal from their chief, vault into the air, and perform various evolutions somewhat similar to the tumblers at Sadler’s Wells. Decency forbids the recital of what usually occurs after this entertainment is terminated. Amongst the Arabs the girls dance in a very superior style; the Arabian ladies of the Mograffra tribe, as well as those of Woled Abbusebah, eminently excel. I remember passing a night in one of their douars, on the confines of Sahara, with a large party of Arabs, and instead of going to sleep, the Sheik of the douar sent for six elegant females, who engaged our admiration till the morning. Judging of the movements of these dancing Arabs with the sentiments of an Englishman, they would be thought somewhat lascivious; but the manners and customs of the country reconciles to propriety these spirited movements. Signor Andrea de Christo, a Venetian merchant, was with me, and declared that he had never seen better dancing in Italy.