An account of the empire of Marocco, and the districts of Suse and Tafilelt; compiled from miscellaneous observations made during a long residence in, and various journies through, these countries. To which is added an account of shipwrecks on the western coast of Africa, and an interesting account of Timbuctoo, the great emporium of Central AfricaJackson, James Grey
History
An account of the empire of Marocco, and the districts of Suse and Tafilelt; compiled from miscellaneous observations made during a long residence in, and various journies through, these countries. To which is added an account of shipwrecks on the western coast of Africa, and an interesting account of Timbuctoo, the great emporium of Central Africa
Jackson, James Grey
Morocco
_The Gazel_ (antelope).—The gazel is that pretty light and elegant
animal, swift as the wind, timid as a virgin, with a soft, beautiful,
large, and prominent black eye, which seems to interest you in its
favour. In its general appearance, the gazel resembles our deer; it is
however much smaller, and has straight black horns, curving a little
backwards. The eye and figure of the gazel, so well known to all
Arabian poets, are emblematical of beauty, and the greatest compliment
that can be paid to a beautiful women, is to compare her eyes to those
of the gazel.[78] Much art is employed by the Arabian females to make
their eyes appear like those of this delicate animal. Eyes originally
black and lively, are made to appear larger and more languishing by
tinging the outer corner with _El kahol Filelly_, a preparation of
lead ore procured from Tafilelt, which gives an apparent elongation
to the eye. The eye-lashes and eye-brows being also blackened with
this composition, they appear peculiarly soft and languishing;
it is said also to improve and strengthen the sight. Every one who
has accurately observed the eye of the African gazel will acquiesce
in the aptness of the simile before alluded to. The word _angel_,
so often employed by our poets to designate a beautiful female, is,
with the Arabs, transformed to gazel: thus the Arabian sonnet;
ڧل الغزالِ راكَ
خليتني نرجاكَ
كيڢ اَلما مُل معاك
اش حليتيِ و اش عماليِ
رڢڧي بالي يهواك
يا تاَج اَلريام غزالِ
Kul el _gazelli_ râk
Kulitini nerjak
Kif el m’ amul mak
Ash heliti wa ash amelli
Rafki billi ihuak
Ia taj miriamme _gazelli_,
Say, thou _Antelope_ in beauty,
Since permitted to return,
Say, what is a lover’s duty,
Who with ardent fire doth burn.
Sympathize with him who loves you,
Crown of all my hopes and joys,
’Tis your constant swain approves you,
His _Gazel_ all his soul employs.
Public-domain text, read in full here on John Shaqi.
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