It was a pretty room, freshly papered and painted, as were many rooms
in Brookville since the sale of the old Bolton properties. Nearly every
one had scrimped and saved and gone without so long that the sudden
influx of money into empty pockets had acted like wine in a hungry
stomach. Henry Daggett had thrice replenished his stock of wall papers;
window shades and curtaining by the yard had been in constant demand
for weeks; bright colored chintzes and gay flowered cretonnes were
apparently a prime necessity in many households. As for paper hangers
and painters, few awaited their unhurried movements. It was easy for
anybody with energy and common sense to wield a paintbrush; and old
paper could be scraped off and fresh strips applied by a simple
application of flour paste and the fundamental laws of physics. One
improvement clamors loudly for another, and money was still coming in
from the most unexpected sources, so new furniture was bought to take
the place of unprized chairs and tables long ago salvaged from the
Bolton wreck. And since Mrs. Deacon Whittle’s dream parlor, with its
marble-tops and plush-upholstered furniture, had become a solid
reality, other parlors burgeoned forth in multi-colored magnificence.
Scraggy old shrubs were trimmed; grass was cut in unkempt dooryards;
flowers were planted—and all because of the lavish display of such
improvements at Bolton House, as “that queer Orr girl” persisted in
calling it; thereby flying in the face of public opinion and local
prejudice in a way which soured the milk of human kindness before the
cream of gratitude could rise.
Everybody agreed that there was something mysterious, if not entirely
unnatural in the conduct of the young woman. Nobody likes unsolved
riddles for long. The moment or century of suspense may prove
interesting—even exciting; but human intelligence resents the Sphynx.
Ellen Dix was intensely human. She was, moreover, jealous—or supposed
she was, which often amounts to the same thing. And because of this she
was looking over the dresses, hanging on pegs along her closet wall,
with a demurely puckered brow. The pink muslin was becoming, but
old-fashioned; the pale yellow trimmed with black velvet might get
soiled with the dust, and she wasn’t sure it would wash. She finally
selected a white dress of a new and becoming style, attired in which
she presently stood before her mirror adjusting a plain Panama hat,
trimmed simply with a black ribbon. Not for nothing had Ellen used her
handsome dark eyes. She set the hat over her black hair at exactly the
right angle, skewering it securely in place with two silver pins, also
severely simple in their style and quite unlike the glittering
rhinestone variety offered for sale in Henry Daggett’s general store.
Public-domain text, read in full here on John Shaqi.
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