New York (N.Y.) -- Social life and customs -- 19th century -- Fiction
"Respect? Why, of course I respect her. Not physically; she's
constructed on too painful a plan of zigzags. But in all other ways I
consider her delightful. She's got a big, warm heart in that angular
body of hers. She's as liberal as the air. But she isn't good form--she
isn't a swell, and no earthly power could make her so. Of course she
doesn't think she has really lost caste. She may tell you that she does,
but privately she has an immense belief in her ability to play the fine
lady at a moment's notice. I don't know any woman more flatly
disapproved of by her own original set. Shall I tell you what this idea
of hers would result in if practically carried out? A distinct injury to
yourself. She has a crowd of queer friends whom she wouldn't slight for
the world; she's too consistently good-hearted. She'd invite them all,
and they would all come. Her notable relations--the Van Horns and Van
Corlears and Amsterdams and Hackensacks, and Heaven knows who
else--would yawn and perhaps shudder when they got the tickets for her
entertainment. They would mostly come, too, and all their grand friends
would no doubt follow them. But they would come with a feeling of deadly
rancor toward yourself; they would never forgive you for setting her up
to it, and nothing could induce them to believe that you had _not_ set
her up to it." Here Goldwin crossed his legs with an impatient violence,
and stared down at one of his shoes with enough intensity for it to
have been concerned in the last caprice of the stock-market. "Oh, no,"
he went on, "that would never do. Never in the world. It wouldn't be a
_coup_ at all; it would be a monstrous _fiasco_. Take my advice, now,
and politely but firmly nip any such proceeding in the bud."
Claire did. On his own side, Goldwin was secretly determined that she
whom he thought the most fascinating, novel, and beautiful woman he had
ever met, should achieve the full extent of her desires. These desires
affected him much as they affected Hollister; they were part of Claire's
charm for him; they were like the golden craft of scrollwork that framed
the picture; they set it off, and made it more precious; there was a
lovely imperiousness about them that would have bored him in another
woman, like a kind of ugly greed, but that in her were a delight.
Public-domain text, read in full here on John Shaqi.
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