New York (N.Y.) -- Social life and customs -- 19th century -- Fiction
Here Claire burst into an actual tempest of tears and sobs, and
immediately afterward felt Sophia's hands again clasp both her own.
"Michael!" cried her new hostess at the same moment, in tones of
imperative command, "for Heaven's sake, don't stand staring there, but
_do_ leave the room!"
"Yes, Miss," came the nicely decorous reply. Faultless servant as he
was, it must still be set to the credit of Michael that he closed a
sliding door of solid rosewood, which worked on easy grooves between the
double _portière_ of the apartment, just after crossing its threshold.
His act was wholly unnecessary, considering the nature of the command
his young mistress had given; and when we note the obstructing force of
the door itself, it implies a sublime abstinence from the fascinations
of eavesdropping.
"Now, don't cry so!" exclaimed Sophia, with great sympathy and a strong
suspicion of active emotion as well. "I suppose something dreadful has
happened to you, dear old Claire. What is it? Just tell me, and I'll see
what I can do. You're not dressed as if you were very well off. Is it
poverty? Oh, pshaw! I'll soon fix things all right if you want help that
way. I'll"--
Here Sophia abruptly paused, and withdrew her hands. She stood facing
Claire, who still struggled to master the sobs that shook her. Sophia
seemed sternly troubled: her full cheeks had reddened; this was her one
invariable way of showing agitation; she never turned pale, like other
people. "Claire!" she broke forth, in solemn undertone. "I do hope it
isn't _one thing_! I do hope you haven't been ... been _going wrong_!
You know what I mean. I wouldn't mind anything but that, and that I
couldn't forgive--or even excuse!"
Claire sprang to her feet as the last word passed Sophia's lips. Wrath
had calmed her, and with a wondrous speed. The tears were still
glittering on her cheeks, however, as she spoke, with eyes that flashed
and a lip that curled.
"Sophia!" she said; "how dare you insult me like this!"
The distressed frown on Sophia's face instantly vanished. "Oh, Claire,"
she cried, "I'm so glad it _isn't_ true! Don't be angry. You see, my
dear, we hadn't met for so long, and you looked as if--as if something
horrible had happened, and it's such a funny, topsy-turvy world. So many
queer things do happen in it. _Don't_ be angry, please!"
"I am angry," said Claire. In her shabby dress she gave,
notwithstanding, a noble portrayal of disdain. She had taken several
steps toward the door, though Sophia, having caught her arm, endeavored,
with a mien contrite and even supplicating, to detain her within the
chamber. "Why should I not be angry?" Claire went on, her voice dry and
bitter. "Allow that I do look as if I were miserable. Is misery another
name for sin?... No, Sophia, let me go, please.... Perhaps you may
learn, some day, as I've learned already, that the unhappy people in
life are not always the bad ones!"
Public-domain text, read in full here on John Shaqi.
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