echoing through the arches and among the pillars, following us down the aisles to where we read upon the monuments the deeds of some old knight of heathen times, whose image has survived his dust--whose works have followed him. After leaving the church we wandered among and through the picture galleries in the old palaces of the city,--galleries of modern Belgian art, with one exception, where were numberless flat old Flemish pictures, and dead Christs, livid, ghastly, horrible to look upon. The best of Flemish art is not in Brussels. Among the galleries of modern paintings, that of the odd artist, recently deceased, Wiertz, certainly deserves mention. It contains materials for a fortune to an enterprising Yankee. The subjects of the pictures are allegorical, parabolical, and diabolical, the scenes being laid in heaven, hell, and mid-air. In one, Napoleon I. is represented surrounded by the flames of hell, folding his arms in the Napoleonic attitude, while his soldiers crowd around him to hold up maimed limbs and ghastly wounds with a denunciatory and angry air. Widows and orphans thrust themselves before his face with anathematizing countenances. In fact, the situation is decidedly unpleasant for the hero, and one longs for a bucket of cold water. Many of the pictures were behind screens, and to be seen through peep-holes--one of them a ghastly thing, of coffins broken open and their risen occupants emerging in shrouds. Upon the walls around the room were painted half-open doors and windows with pretty girls peeping out; close down to the floor, a dog kennel, from which its savage occupant was ready to spring; just above him, from a latticed window, an old _concierge_ leaned out to ask our business. Even in the pictures hanging upon the walls was something of this trickery. In one the foot and hand of a giant were painted out upon the frame, so that he seemed to be just stepping out from his place; and I am half inclined to think that many of the people walking about the room were originally framed upon the walls.