Americans -- England -- Fiction; Girls -- Fiction; London (England) -- Fiction
I DON'T know what we were about to let Miss Wick miss the Boats,' said
Mr. Mafferton one day, over his after-noon-tea in Lady Torquilin's flat.
I looked at Lady Torquilin, and said I thought Mr. Mafferton must be
mistaken; I had never missed a boat in my life, and, besides, we hadn't
been going anywhere by boat lately. The reason we had put off our trip
to Richmond five times was invariably because of the weather. Peter
Corke happened to be there that afternoon, too, though she didn't make
much of a visit. Miss Corke never did stay very long when Mr. Mafferton
was there--he was a person she couldn't bear. She never called him
anything but 'That.' She declared you could see hundreds of him any
afternoon in Piccadilly, all with the same hat and collar and expression
and carnation in their button-holes. She failed to see why I should
waste any portion of my valuable time in observing Mr. Mafferton, when
I had still to see 'Dolly's Chop House,' and Guy the King-maker's tablet
in Warwick Lane, and the Boy in Panyer Alley, and was so far unimproved
by anything whatever relating to Oliver Goldsmith or Samuel Johnson.
She could not understand that a profoundly uninteresting person might
interest you precisely on that account. But, 'Oh you aborigine!' she
began about the Boats, and I presently understood another of those
English descriptive terms by which you mean something that you do not
say.
The discussion ended, very happily for me, in an arrangement suggested
jointly by Miss Corke and Mr. Mafferton. Lady Torquilin and I should go
to Oxford to see 'the Eights.' Mr. Mafferton had a nephew at Pembroke,
and no doubt the young cub would be delighted to look after us. Miss
Corke's younger brother was at Exeter, and she would write to the
dear boy at once that he must be nice to us. Peter was very sorry she
couldn't come herself--nothing would have given her greater pleasure,
she said, than to show me all I didn't know in the Bodleian.
Public-domain text, read in full here on John Shaqi.
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