Americans -- England -- Fiction; Girls -- Fiction; London (England) -- Fiction
'Hold up your head, and look perfectly indifferent,' advised Lady
Torquilin, as our hansom deposited us in the courtyard before the outer
steps. 'Don't grasp that catalogue as if it were a banner; carry it
carelessly. Now follow me.' And Lady Torquilin, with great dignity, a
sense of rectitude, and a catalogue to which she was properly entitled,
followed by me with vague apprehensions, a bad conscience, and a
catalogue that didn't belong to me, walked into the Private View. Nobody
said anything, though I fancied one of the two old gentlemen in crimson
and black by the door looked knowingly at the other when I passed, as
much as to say: 'About that tailor-made there is something fraudulent.'
I say I 'fancied,' though at the time I was certain they did, because my
imagination, of course, may have had something to do with it. I know
I was very glad of the shelter of Lady Torquilin's unimpeachable
respectability in front. 'There now,' she said, when we were well into
the crowd, 'we're both here, and it's much nicer, isn't it, dear? than
for you to come with strangers, even if I could have made up my mind
that it was right for you to be admitted on a ticket plainly marked "not
transferable"--which I really don't think, dear. I should have been able
to do.'
We moved aimlessly with the throng, and were immediately overtaken and
possessed by the spirit that seemed to be abroad--a spirit of wonder and
criticism and speculation and searching, that first embraced our
nearest neighbours, went off at random to a curiously-dressed person in
perspective, focussed upon a celebrity in a corner, and spent itself in
the shifting crowd. Lady Torquilin bade me consider whether in all my
life before I had ever seen such remarkable gowns, and I was obliged to
confess that I had not. Some of them were beautiful, and some were not;
many were what you so very properly and aptly call 'smart,' and a few
were artistic. All of them, pretty and ugly, I might have encountered at
home, but there was one species of 'frock' which no American, I think,
could achieve with impunity. It was a protest against conventionalism,
very much gathered, and usually presented itself in colours
unattainable out of a London fog. It almost always went with a rather
discouraged-looking lady having a bad complexion, and hair badly done
up; and, invariably, it dragged a little on one side. I don't know
exactly why that kind of dress would be an impossible adjunct to the
person of an American woman, but I am disposed to believe there is a
climatic reason. We have so much sun and oxygen in the United
States that I think they get into our ideas of clothes; and a person
upholstered in the way I have mentioned would very likely find herself
specially and disrespectfully described in the newspapers. But I do not
wish to be thought impertinent about the development of this particular
English dress ideal. It has undoubted points of interest. I had a better
Public-domain text, read in full here on John Shaqi.
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