An American Patrician, or The Story of Aaron Burr: IllustratedLewis, Alfred Henry
History
An American Patrician, or The Story of Aaron Burr: Illustrated
Lewis, Alfred Henry
Burr, Aaron, 1756-1836
In his hope’s heart, old North-of-Ireland Clinton---who, for all his
North-of-Ireland blood, was born in America--thinks he himself may be
struck by the presidential lightning, and does not intend to place any
deflecting obstruction in the path of such descending bolt.
Aaron has forestalled the Clinton refusal in his thoughts, and is not
surprised by the high Clintonian attitude. He tries persuasion; the
old ex-governor and would-be president only plants himself more firmly.
Under no circumstances shall he agree to run; his honored name must not
be used.
It is now that Aaron shows his teeth: “Governor Clinton,” says he, “when
it comes to that, our committee’s appearance before you, preferring the
request that you run, is a ceremony rather of courtesy than need. With
the last word, regardless of either your plans or your preferences, the
public we represent is perfect in its right to name you, and compel you
to run. And, sir, making short what might become long, and so saving
time for us all, I must now notify you that, should you continue to
withhold your consent, we stand already determined to retain and use
your name despite refusal, as a course entirely within the lines of
popular right.”
In the looks and tones of Aaron, the old North-of-Ireland governor
reads decision not to be revoked, and for once in his obstinate life
surrenders gracefully.
“Gentlemen,” says he, with a bland wave of the hand to Aaron and his
Bucktail committee, “since you put it in that way, refusal is out of
my power. Also let me add, that no man could take a nomination from a
higher, a more honorable, a more patriotic source.”
The campaign, on in earnest, goes forward with a roar. Not a screaming
item is omitted. Guns boom; flags flaunt; bands of music bray; gay
processions go marching; crackers splutter and snap; orators with iron
throats sweep down on spellbound crowds in gales of red-faced eloquence;
flaming rockets, when the sun goes down, streak the night with fire; the
bold Buck-tails, cidered to the brim, cause Brom Martling’s long-room
to ring again, and make the intersection of Spruce and Nassau a Bedlam
crossroads.
This is well; yet Aaron desires more. The issue is Alien and Sedition;
he yearns for an overt expression of what villain work may be done by
that black statute.
Aaron’s strength, as a captain of politics, lies in his intuitive
knowledge of men. He is never popular--never loved while ever admired.
Men may no more love him than they may love a diamond, or a Damascus
sword blade, or a tallest, sun-kissed, snow-capped mountain peak. Still
that innate grasp of men, and what motives will move them, is as an
edged tool in his hands wherewith to carve out triumph. This gift of
man-reading comes in play when now he would exhibit Alien and Sedition
in its baleful workings.
Public-domain text, read in full here on John Shaqi.
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