The steps by which a story grows from an indefinite to a definite, from a historical to a mythical form, are admirably illustrated in this instance. A tradition is preserved in which, while the main event is clear, many of the surrounding circumstances have been suffered to escape from memory. Writer after writer takes it up, and finding it thus imperfect, adds to it detail after detail until its whole complexion is altered. Even the main event may not always be exempted from the transfiguring process; as here, where the feet of Jesus are substituted for the head, and the interesting picture introduced of Mary wiping them with her hair, and consequently placing herself in a situation of the deepest humility. And if the central incident is thus unsafe, still more so are its adjuncts. First, the woman is unknown, as are those who murmur against her. Then, in the second stage, the woman is still unknown, but the murmurers are known generally as the disciples. But no bad motive is as yet assigned for their censure. Lastly, in the third stage, the woman is known, the murmurer is known specifically as _one_ disciple, and a bad motive is assigned for his censure. Such is the way in which myths grow up. The circumstance we have next to deal with is obscure, not because too much has been added, but because something has been omitted. Jesus had now drawn upon him the mortal hatred of the priests of the temple. He was well aware of his danger, as many of his expressions show. He endeavored to avoid it by living in concealment in or near Jerusalem. Not that we are told of this in so many words, but that the course of the story renders it a necessary assumption. For all the Gospels inform us that one of his disciples, Judas named Iscariot, went to the chief priests and betrayed him, receiving a pecuniary reward for the service thus rendered (Mk. xiv. 10, 11; Mt. xxvi. 14-16; Lu. xxii. 3-6; Jo. xiii. 2, 27). As to this fact there is complete unanimity, and it is borne out by the manner of his arrest as subsequently depicted. We cannot then treat it as a fiction; but it is plain that had Jesus been leading the open and public life described in the Gospels, there would have been no secret to betray, and no reward to be earned. A period, more or less long, of retirement to some spot known only to friends, must therefore be taken for granted. John alludes to something of the sort, though not distinctly, when he relates that there was a garden across the brook Cedron, to which he often resorted with his disciples, and which was known to Judas. But the Christian tradition did not like to acknowledge that Christ, whom it represents as braving death, ever lurked in hidden places like a criminal, and at the same time it wished to brand the memory of Judas with infamy. Hence the suppression of a fact without which the story cannot be understood. The expressions, "he sought how he might conveniently betray him" (Mk. xiv. 11); or "he