Terry does not like to use the word "religion." But he certainly belongs
to the type of the religious man. One of the most marked characteristics
of the religious temperament is this abandonment of personal and family
ties, this indifference and often hostility to social law, "this
emotional devotion to something intangible." All the anarchists and
social rebels I have known have, more or less, the religious
temperament, although a large part of their activity is employed in
scoffing at and reviling religion--as they think the God of theology has
been largely responsible for the organisation of social and political
injustice. But the deeply religious spirits have often been hostile to
theology, as well as to all other complicated forms of society. Here are
some religious words:
"There must be some meaning," wrote Terry, "for all this ancient agony.
Oh, that I might expand my written words into an Epic of the Slums, into
an Iliad of the Proletaire! If an oyster can turn its pain into a pearl,
then, verily, when we have suffered enough, something must arise out of
our torture--else the world has no meaning. On this theory, all my pangs
are still to come. I too will arise out of my sacrificial self and look
back on my former bondage in amaze, even as I now look down on the dizzy
slums where I am and yet am not! It cannot be that I came up out of the
depths for nothing. If I could pierce my heart and write red lines, I
might perhaps tell the truth. But only a High Silence meets me, and I do
not understand. In letting myself down to the bottomless, I discovered I
could not stand it long enough. I am dumbly dissatisfied. I feel like a
diver who has nigh strangled himself to bring up a handful of seaweed,
and so feels he must down again--and again--until he attains somewhere
the holy meaning of Life."
Terry feels that somehow deep in his life he has been crucified, that
society has nailed him to the cross:
"I was alone on the cross and with bloodshot, beseeching eyes beheld
the world objectively. Yet I was aware of a harmony beyond me, though
not in me or around me."
It is this "harmony beyond," this religious sense of "something far more
deeply interfused" which, ever conscious in the idealist's mind, makes
the concrete vision of everyday fact so ugly, leads to anarchism of
feeling profound and constant.
But in this world, which as a whole the heart rejects--"my heart," said
Terry, "is the last analysis of all things"--the idealist sees things of
beauty which constitute for him the elements of perfection, elements
which in some future state he dreams may be fully realised in a social
whole.
Public-domain text, read in full here on John Shaqi.
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