"No wonder our class--the thinkers among them--rejects the morality of your class--property morality, and the rest meant only to make property morality as strong as a law of God. I made at one time the fatal mistake of the many simple labourers who are organically honest. I spent most of my best life in seeking a solution of our hard lot from those above me. After a loss of many feathers and some brave plumage, but no down, I must in all humility beat my way back to the traditional lost ideals of our organically incorporated class.... Perhaps the most conscienceless class who seek to solve the insoluble is the 'cultured' class. But most of them seem to me like artistic undertakers officiating at the 'wake' of Life. With their platitudes, their prudery, and their chastity, they make for death. These languid ones desire to have life served up to them in many courses. Greed lies at the bottom of their being, and so they preach content to the masses, though for the workers they have nothing in their shallow souls but contempt. This cultured leisure class has had the time and cunning to perpetrate one great and tragic trick. They have made social falsehoods so complicated that they themselves neither understand nor wish to understand.... Why is it that in all the great authors I detect an air of condescension, marking their contempt for those who make and keep them what they are? With what fine contempt the 'rube' is surveyed by the faker who has plucked him! Must I put these classic souls of art in the same category? The art for art's sake people--these make me sick. It is at best an argumentative confusion springing from the fact that in the perfect work of art there is such a fusion of form and substance as to resist dissociation and defy analysis. Perhaps this fact accounts for Tolstoi's contempt for some of the classic art. It seems to me that most classic art is one of two things: either it smacks of smug content and over-fed geniality or it is permeated with a profound pessimism. The philosophers are worse than the artists; they are the ringleaders of the betrayers of humanity. Art at least makes the atonement of beauty for its mistakes, but this cannot be said of philosophy.