An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.Wyatt, M. Digby (Matthew Digby), Sir
History
An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.
Wyatt, M. Digby (Matthew Digby), Sir
Architecture -- Spain
In spite of all Swinburne's forebodings the real effect of this
Cathedral is now, internally at least, vast and stately, although in too
florid a style as to detail to be quite satisfactory. The true cause of
much of the delay, culminating in total stoppage in 1769, of which
Swinburne complains, was the cupidity of certain Commissioners who
appropriated to themselves the funds (a tax on American imports)
allotted by the government for the work. To give a cover to their gross
dishonesty, they laid blame on the designs of the architect, Vicente
Acero,[34] which could not, as they averred, be completed. At last, in
1832, the scandal was wiped out by the zeal and liberality of Bishop
Domingo de Silos Moreus who caused the interior to be completed, and the
exterior partially so, mainly out of his privy purse.
[Illustration: PLATE 62
MALAGA
THE FOUNTAIN OF THE ALAMEDA
MDW 1869]
PLATE LXII.
_MALAGA._
THE FOUNTAIN OF THE ALAMEDA.
IN almost every Spanish town there exists a feature, too often wanting,
under similar circumstances, in England, in the shape of a public walk,
or "paseo." In these popular airing places in the summer-heats the
inhabitants turn out, take exercise, meet and chat with one another, the
poor with the rich (by mutual consent) under the shade of green trees,
usually within compass of the scent of flowers, and almost invariably
within hearing of the pleasant trickle of some pretty fountain. Such
places, which, as their name imports, the Spaniards have inherited, with
almost all that makes life pleasant, from the Moors, are called
"Alamedas." In this particular Malaga is especially favoured, for not
only is her Alameda, which forms the principle Plaza of the city, cooled
by refreshing breezes from the sea,
"La que baña dulce el mar
Entre Jazmín y Azahar,"
but it is adorned by one of the prettiest fountains in the world. It is
made of pure white marble, and of such exquisite workmanship that it
would betray its Italian origin at a glance, even if it did not possess
a history of its own which places the fact beyond a doubt.
Ordered originally at Genoa by Charles V. for his Palace at Granada, it
was shipped, on its completion for conveyance thither, on board a
Spanish galleon.[35] On the voyage the vessel was captured by
Barbarossa, and recovered by Don Bernardino de Mendoza, General de
Galeras. Ford remarks that the costume (_à la_ fig leaf) of the nymphs
and Amorini which adorn it is somewhat too slight for Spanish ideas of
propriety, and O'Shea caps his observation by commenting on its perfect
suitability to the Malagan climate.
[Illustration: PLATE 63
MALAGA
RENAISSANCE HOUSE IN THE CALLE SANT' AUGUSTIN
MDW 1869]
PLATE LXIII.
_MALAGA._
RENAISSANCE HOUSE IN THE CALLE SANT' AUGUSTIN.
Public-domain text, read in full here on John Shaqi.
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