An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.Wyatt, M. Digby (Matthew Digby), Sir
History
An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.
Wyatt, M. Digby (Matthew Digby), Sir
Architecture -- Spain
[Illustration: PLATE 69
GRENADA. THE ALHAMBRA SALA DE EMBAJADORES
MDW 1869]
PLATE LXIX.
_GRANADA.--THE ALHAMBRA._
SALA DE EMBAJADORES.
TO describe the progress of the visitor through the Courts and
apartments of the "Casa Real," as the Palace of the Alhambra is called,
would be to echo a more than thrice-told tale. For present purposes, it
may suffice to say, that in the Hall of the Ambassadors he reaches the
acmé of Moorish magnificence. My sketch represents one of the nine
windows by which the hall is lighted on the level of the floor. The
space from the single arch, which is on the internal face of the
apartment, to the coupled arches which are on the external face of the
building, represents the thickness, no less than about eight feet, of
the wall of the Tower of Comares. The window I have chosen for
sketching, looks towards a Renaissance addition to the Alhambra, made by
Charles V. for the accommodation of his Queen.
This elegant pavilion, from which is obtained a view of almost
unparallelled loveliness over the Vega, is known as the "Tocador de la
Reina," or, Boudoir of the Queen.
The Hall of Ambassadors occupies the whole of the internal area on plan
of the Tower, and is an apartment thirty-seven feet square and
seventy-five feet high. It is entered from the Court of the "Blessing,"
(as Mr. O'Shea considers the Patio de la Berkàh to be more properly
called, than the Court of the Fish Pond,) or "de la Alberca," the title
by which it is usually known. Advancing from the Patio, the visitor
traverses the Sala. In the wall opposite to the door of entrance to the
Hall are three windows. In the central one appears to have been placed
the throne of the Sultan. In each of the walls, on the right and left of
the entrance, are three nearly-similar windows: the one I have selected
for representation being the middle one of the three in the wall on the
right upon entering.
The dado which runs round the whole of the splendid Hall, is made of
Mosaic and Azulejos for a height of about four feet from the pavement;
and above it run bands with inscriptions and medallions. Over these, the
walls, covered with lace-like diapers in stucco, to a height of about
seven and twenty feet from the floor, run up to a second tier of
windows, five on a side, lighting the upper portion of the Hall.
Public-domain text, read in full here on John Shaqi.
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