An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.Wyatt, M. Digby (Matthew Digby), Sir
History
An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.
Wyatt, M. Digby (Matthew Digby), Sir
Architecture -- Spain
The "Lonjas," or Exchanges, of Spain, constitute an important and
interesting class of buildings, dating, from mediæval times in the most
commercial of the towns on the seaboard, and from the Renaissance period
in those of the interior. The term Lonja, originally only implied a
"long place" or platform, the sort of spot in a town on which merchants
would meet, as on "the flags" at Liverpool. In process of time the
Lonjas came to be covered in, and converted into handsome "Exchanges."
The earliest structure of this class is, or rather was, at Barcelona.
All the fine old building of 1383, Mr. Street tells us, has "been
completely destroyed, with the one exception of its grand Hall, which
still does service as of old. This consists of three naves, divided by
lofty and slender columns, which carry stilted semi-circular arches. The
ceiling is flat ... and the dimensions about one hundred feet by
seventy-five." The "Casa Lonja" of Valencia, which Mr. Street has also
fully illustrated[53] is one of the prettiest of the late Gothic
buildings in Spain. It was erected between 1482 and the close of the
fifteenth century. The next important Lonja in point of date was the
Saragossan of 1551. The last was that of Seville built by Herrera
between 1585 and 1598, and certainly one of his best works. It was
avowedly built in rivalry with Gresham's Royal Exchange--completed in
1571.
To the interior of the fine building under notice I could not obtain
access, and have therefore to trust to Ponz's description of it. "It
forms," he says, "a splendid saloon with an internal double gallery of
Doric columns and arches, to the number of fifty." Within it are erected
an altar to, and statue of, the guardian angel, in fact the building had
its Lararium. Ponz mentions, further, many paintings. These appear no
longer to exist, since all I could learn by personal inquiry on the spot
was that the place, having long been used as a carpenter's shop and
warehouse was now absolutely empty and unused. I fear therefore that the
"Angelo Custode" has had too much to do, and has broken down under his
task.
[Illustration: PLATE 85
SARAGOZA CASA DE COMERCIO
MDW 1869]
PLATE LXXXV.
_SARAGOSSA._
PATIO OF THE CASA DE COMERCIO.
THIS house, originally a Gothic one, in some of its earliest details,
still acknowledges its allegiance to the noble family of the Torrellas,
its founders. Their arms, with a lion, and the three little towers which
pun heraldically upon their name, as charges, still exist upon a Gothic
escutcheon over one of the doorways. The house is locally stated, I know
not on what authority, to have been occupied, and altered by a company
of Genoese merchants, whence, no doubt, its popular name "de Comercio."
It is situated in the Calle de Sant' Jago, and is now the property of
the Marquis de Ayerve.
Public-domain text, read in full here on John Shaqi.
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