PATIO OF THE HOUSE OF THE MARQUIS OF MONISTOL. THE great dimensions of this house, and its massive strength and solidity are no bad emblems of the old sturdiness, wealth, and pride of the Aragonese nobility, whose Plateresque architecture "differed" as Mr. O'Shea justly remarks, "in many points from its countertype the Seville Moro-Italian, or strictly Andalusian style, applied to private dwellings." Although apparently far ruder in execution than either of the other two houses I sketched--that of the Infanta and that known as de Comercio--in the same city, I have little doubt that this is of considerably later date. The florid Spanish Plateresque of the former, and the cinque-cento carving of the latter, took precedence of the more regular Greco-Roman architecture aimed at by the architect of the house now under notice. The retention of the bracket capital in lieu of either arches or a lengthened column, and of the "anillo" or ring dividing the shaft into two heights, illustrate the way in which local habits interfered with the adoption of the rigid rules prescribed by the writers on architecture, and practised by contemporary architects, of the Herrera type. Considering the terrible "fortunes of war," to which Saragossa has been exposed, and its frightful hand to hand fighting in the heart of the city, it is only wonderful that so much of the past should still linger within the lines of defence. If the ruinous sieges have left Saragossa poorer than they found her, they certainly do not appear to have left her weaker or less fierce. She struck me as being poorer and prouder than any other city I visited in Spain. At the same time, both men and women show a hardy activity and lively inclination to pugnacity I did not see elsewhere. The only answer I got from a Madrileño to my question as to "why the Saragossans did not work?" was, that "they preferred fighting," adding that "while they would look hard at a peseta before they would undertake even a trifling job for it, they would at any time do a good day's fighting for one half of that coin." [Illustration: PLATE 87 SARAGOZA PLAZUELA ADUANA MDW 1869 BRONZE RENAISSANCE KNOCKER] PLATE LXXXVII. _SARAGOSSA._ BRONZE RENAISSANCE KNOCKER OF A HOUSE IN THE PLAZUELA ADUANA.