Brantly long ago was a completed town. For the most part it was built of
wood, and its appearance of decay was so general and so even as to
invite the suspicion that nearly all its building had been erected on
the same day. In the center of the town was the public square, and about
it were ranged the business houses, and in the midst of it stood the
court house with its paint blistered and its boards warping. It was
square, with a hall and offices below. Above was the court room, and
herein was still heard the dying echo of true oratory. On the top of
this building, once the pride of the county, was a frail tower, and in
it was a clock, always slow. It was never known to record an hour until
that hour had long since been due. Sometimes it would save up its
strokes upon the bell until fifty or more were accumulated, and then, in
the midst of an intense jury trial, it would slowly turn them loose. A
mathematician, a man who kept the dates of late and early frosts, had it
in his record that the hammer struck the bell sixty-eight times on the
afternoon when John Maffy was sentenced to be hanged, and that the
judge had to withhold his awful words until this flood of gathered time
was poured out. Once or twice the county court had appropriated money to
have the clock brought back within the bounds of reason, but a more
pressing need had always served to swallow up the sum thus set aside.
A stone planted at one corner of the public square marked the site of a
bit of bloody history. Away back in the fifties a man named Antrem, from
New England, came to Brantly and, standing where the stone now stands,
made an abolition speech. It was so bold an impudence that the citizens
stood agape, scarcely able to believe their ears. At last the passive
astonishment was broken by a slave-owner named Peel. He drew two
pistols, handed one to the speaker, stepped off and told him to defend
himself. The New Englander had nerve. He did defend himself, and with
deadly effect. Both men were buried on the public square.
Public-domain text, read in full here on John Shaqi.
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