An Attic Philosopher in Paris — CompleteSouvestre, Émile
Philosophy
An Attic Philosopher in Paris — Complete
Souvestre, Émile
Paris (France) -- Fiction
I had well stopped up the chinks of my window; my little carpet was
nailed down in its place; my lamp, provided with its shade, cast a
subdued light around, and my stove made a low, murmuring sound, as if
some live creature was sharing my hearth with me.
All was silent around me. But, out of doors the snow and rain swept the
roofs, and with a low, rushing sound ran along the gurgling gutters;
sometimes a gust of wind forced itself beneath the tiles, which
rattled together like castanets, and afterward it was lost in the empty
corridor. Then a slight and pleasurable shiver thrilled through my
veins: I drew the flaps of my old wadded dressing-gown around me, I
pulled my threadbare velvet cap over my eyes, and, letting myself sink
deeper into my easy-chair, while my feet basked in the heat and light
which shone through the door of the stove, I gave myself up to a
sensation of enjoyment, made more lively by the consciousness of the
storm which raged without. My eyes, swimming in a sort of mist, wandered
over all the details of my peaceful abode; they passed from my prints to
my bookcase, resting upon the little chintz sofa, the white curtains of
the iron bedstead, and the portfolio of loose papers--those archives
of the attics; and then, returning to the book I held in my hand, they
attempted to seize once more the thread of the reading which had been
thus interrupted.
In fact, this book, the subject of which had at first interested me, had
become painful to me. I had come to the conclusion that the pictures of
the writer were too sombre. His description of the miseries of the
world appeared exaggerated to me; I could not believe in such excess of
poverty and of suffering; neither God nor man could show themselves so
harsh toward the sons of Adam. The author had yielded to an artistic
temptation: he was making a show of the sufferings of humanity, as Nero
burned Rome for the sake of the picturesque.
Taken altogether, this poor human house, so often repaired, so much
criticised, is still a pretty good abode; we may find enough in it to
satisfy our wants, if we know how to set bounds to them; the happiness
of the wise man costs but little, and asks but little space.
These consoling reflections became more and more confused. At last my
book fell on the ground without my having the resolution to stoop and
take it up again; and insensibly overcome by the luxury of the silence,
the subdued light, and the warmth, I fell asleep.
Public-domain text, read in full here on John Shaqi.
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