I think that many have done so; so many that we English novelists may boast as a class that such has been the general result of our own work. Looking back to the past generation, I may say with certainty that such was the operation of the novels of Miss Edgeworth, Miss Austen, and Walter Scott. Coming down to my own times, I find such to have been the teaching of Thackeray, of Dickens, and of George Eliot. Speaking, as I shall speak to any who may read these words, with that absence of self-personality which the dead may claim, I will boast that such has been the result of my own writing. Can any one by search through the works of the six great English novelists I have named, find a scene, a passage, or a word that would teach a girl to be immodest, or a man to be dishonest? When men in their pages have been described as dishonest and women as immodest, have they not ever been punished? It is not for the novelist to say, baldly and simply: "Because you lied here, or were heartless there, because you Lydia Bennet forgot the lessons of your honest home, or you Earl Leicester were false through your ambition, or you Beatrix loved too well the glitter of the world, therefore you shall be scourged with scourges either in this world or in the next;" but it is for him to show, as he carries on his tale, that his Lydia, or his Leicester, or his Beatrix, will be dishonoured in the estimation of all readers by his or her vices. Let a woman be drawn clever, beautiful, attractive,--so as to make men love her, and women almost envy her,--and let her be made also heartless, unfeminine, and ambitious of evil grandeur, as was Beatrix, what a danger is there not in such a character! To the novelist who shall handle it, what peril of doing harm! But if at last it have been so handled that every girl who reads of Beatrix shall say: "Oh! not like that;--let me not be like that!" and that every youth shall say: "Let me not have such a one as that to press my bosom, anything rather than that!"--then will not the novelist have preached his sermon as perhaps no clergyman can preach it? Very much of a novelist's work must appertain to the intercourse between young men and young women. It is admitted that a novel can hardly be made interesting or successful without love. Some few might be named, but even in those the attempt breaks down, and the softness of love is found to be necessary to complete the story. _Pickwick_ has been named as an exception to the rule, but even in _Pickwick_ there are three or four sets of lovers, whose little amatory longings give a softness to the work. I tried it once with _Miss Mackenzie_, but I had to make her fall in love at last. In this frequent allusion to the passion which most stirs the imagination of the young, there must be danger. Of that the writer of fiction is probably well aware. Then the question has to be asked, whether the danger may not be so averted that good may be the result,--and to be answered.