An Autobiography of Anthony TrollopeTrollope, Anthony
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An Autobiography of Anthony Trollope
Trollope, Anthony
Novelists, English -- 19th century -- Biography; Trollope, Anthony, 1815-1882
On the last day of each month recorded, every
person in his novel should be a month older than on the first. If the
would-be novelist have aptitudes that way, all this will come to him
without much struggling;--but if it do not come, I think he can only
make novels of wood.
It is so that I have lived with my characters, and thence has come
whatever success I have obtained. There is a gallery of them, and of
all in that gallery I may say that I know the tone of the voice, and
the colour of the hair, every flame of the eye, and the very clothes
they wear. Of each man I could assert whether he would have said
these or the other words; of every woman, whether she would then
have smiled or so have frowned. When I shall feel that this intimacy
ceases, then I shall know that the old horse should be turned out to
grass. That I shall feel it when I ought to feel it, I will by no
means say. I do not know that I am at all wiser than Gil Blas' canon;
but I do know that the power indicated is one without which the
teller of tales cannot tell them to any good effect.
The language in which the novelist is to put forth his story, the
colours with which he is to paint his picture, must of course be to
him matter of much consideration. Let him have all other possible
gifts,--imagination, observation, erudition, and industry,--they
will avail him nothing for his purpose, unless he can put forth
his work in pleasant words. If he be confused, tedious, harsh, or
unharmonious, readers will certainly reject him. The reading of
a volume of history or on science may represent itself as a duty;
and though the duty may by a bad style be made very disagreeable,
the conscientious reader will perhaps perform it. But the novelist
will be assisted by no such feeling. Any reader may reject
his work without the burden of a sin. It is the first necessity
of his position that he make himself pleasant. To do this,
much more is necessary than to write correctly. He may indeed
be pleasant without being correct,--as I think can be proved by
the works of more than one distinguished novelist. But he must
be intelligible,--intelligible without trouble; and he must be
harmonious.
Public-domain text, read in full here on John Shaqi.
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