An Autobiography of Anthony TrollopeTrollope, Anthony
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An Autobiography of Anthony Trollope
Trollope, Anthony
Novelists, English -- 19th century -- Biography; Trollope, Anthony, 1815-1882
I found it very hard to make the purchasers understand that I had
reasonable ground for objection to the process. What was it to me?
How could it injure me if they stretched my pages by means of lead
and margin into double the number I had intended. I have heard the
same argument on other occasions. When I have pointed out that in
this way the public would have to suffer, seeing that they would
have to pay Mudie for the use of two volumes in reading that which
ought to have been given to them in one, I have been assured that the
public are pleased with literary short measure, that it is the object
of novel-readers to get through novels as fast as they can, and that
the shorter each volume is the better! Even this, however, did not
overcome me, and I stood to my guns. _Sir Harry_ was published in
one volume, containing something over the normal 300 pages, with
an average of 220 words to a page,--which I had settled with my
conscience to be the proper length of a novel volume. I may here
mention that on one occasion, and on one occasion only, a publisher
got the better of me in a matter of volumes. He had a two-volume
novel of mine running through a certain magazine, and had it printed
complete in three volumes before I knew where I was,--before I had
seen a sheet of the letterpress. I stormed for a while, but I had not
the heart to make him break up the type.
The _Editor's Tales_ was a volume republished from the _St. Paul's
Magazine_, and professed to give an editor's experience of his
dealings with contributors. I do not think that there is a single
incident in the book which could bring back to any one concerned the
memory of a past event. And yet there is not an incident in it the
outline of which was not presented to my mind by the remembrance of
some fact:--how an ingenious gentleman got into conversation with me,
I not knowing that he knew me to be an editor, and pressed his little
article on my notice; how I was addressed by a lady with a becoming
pseudonym and with much equally becoming audacity; how I was appealed
to by the dearest of little women whom here I have called Mary
Gresley; how in my own early days there was a struggle over an
abortive periodical which was intended to be the best thing ever
done; how terrible was the tragedy of a poor drunkard, who with
infinite learning at his command made one sad final effort to reclaim
himself, and perished while he was making it; and lastly how a poor
weak editor was driven nearly to madness by threatened litigation
from a rejected contributor. Of these stories _The Spotted Dog_,
with the struggles of the drunkard scholar, is the best. I know now,
however, that when the things were good they came out too quick one
upon another to gain much attention;--and so also, luckily, when they
were bad.
Public-domain text, read in full here on John Shaqi.
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