An Eagle Flight: A Filipino Novel Adapted from Noli Me TangereRizal, José
History
An Eagle Flight: A Filipino Novel Adapted from Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
"Do you know who Don Pedro Eibarramendia was? Don Pedro Eibarramendia
was the wretch who caused all our misfortune! I have long been
searching for his descendants; God has delivered you into my
hands! Look at me! Do you think I have suffered? And you live, and
you love, and have a fortune and a home; you live, you live!" and,
beside himself, he ran toward a collection of arms on the wall. But
no sooner had he reached down two poniards than he dropped them,
looking blindly at Ibarra, who stood rigid.
"What was I going to do?" he said under his breath, and he fled like
a madman.
XLVII.
THE CATASTROPHE.
Captain Tiago, Aunt Isabel, and Linares were dining. Maria Clara
had said she was not hungry, and was at the piano with Sinang. The
two girls had arranged this moment for meeting Ibarra away from too
watchful eyes. The clock struck eight.
"He's coming! Listen!" cried the laughing Sinang.
He entered, white and sad. Maria Clara, in alarm, started toward him,
but before any one could speak a fusilade sounded in the street; then
random pistol shots, and cries and clamor. Crisostomo seemed glued
to the floor. The diners came running in crying: "The tulisanes! The
tulisanes!" Aunt Isabel fell on her knees half dead from fright,
Captain Tiago was weeping. Some one rushed about fastening the
windows. The tumult continued outside; then little by little there
fell a dreadful silence. Presently the alferez was heard crying out
as he ran through the street:
"Father Salvi! Father Salvi!"
"Mercy!" exclaimed Aunt Isabel. "The alferez is asking for confession!"
"The alferez is wounded!" murmured Linares, with an expression of
the utmost relief.
"The tulisanes have killed the alferez! Maria, Sinang, into your
chamber! Barricade the door!"
In spite of the protests of Aunt Isabel, Ibarra went out into the
street. Everything seemed turning round and round him; his ears rang;
he could scarcely move his limbs. Spots of blood, flashes of light and
darkness alternated before his eyes. The streets were deserted, but the
barracks were in confusion, and voices came from the tribunal, that of
the alferez dominating all the others. Ibarra passed unchallenged, and
reached his home, where his servants were anxiously watching for him.
"Saddle me the best horse and go to bed," he said to them.
He entered his cabinet and began to pack a valise. He had put in his
money and jewels and Maria's picture and was gathering up his papers
when there came three resounding knocks at the house door.
"Open in the name of the King! Open or we force the door!" said an
imperious voice. Ibarra armed himself and looked toward the window;
then changed his mind, threw down his revolver, and went to the
door. Three guards immediately seized him.
"I make you prisoner in the name of the King!" said the sergeant.
"Why?"
"You will learn at the tribunal; I am forbidden to talk with you."
"I am at your disposition. It will not be for, I suppose, long."
Public-domain text, read in full here on John Shaqi.
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