An Eagle Flight: A Filipino Novel Adapted from Noli Me TangereRizal, José
History
An Eagle Flight: A Filipino Novel Adapted from Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
"Do not come near us!" he cried again in the same threatening
voice. "What? You fear I shall stain my hand in impure blood? Did I not
tell you that my heart beats true? Away from us, and listen, priests,
believing yourselves different from other men, giving yourselves other
rights! My father was an honorable man. Ask the country which venerates
his memory. My father was a good citizen, who sacrificed himself for
me and for his country's good. His house was open, his table set for
the stranger or the exile who should turn to him! He was a Christian;
always doing good, never pressing the weak, nor forcing tears from
the wretched. As to this man, he opened his door to him, made him
sit down at his table, and called him friend. And how did the man
respond? He falsely accused him; he pursued him; he armed ignorance
against him! Confiding in the sanctity of his office, he outraged his
tomb, dishonored his memory; his hate troubled even the rest of the
dead. And not yet satisfied, he now pursues the son. I fled from him,
avoided his presence. You heard him this morning profane the chair,
point me out to the people's fanaticism; but I said nothing. Now,
he comes here to seek a quarrel; I suffer in silence, until he again
insults a memory sacred to all sons.
"You who are here, priests, magistrates, have you seen your old
father give himself for you, part from you for your good, die of
grief in a prison, looking for your embrace, looking for consolation
from any one who would bring it, sick, alone; while you in a foreign
land? Then have you heard his name dishonored, found his tomb empty
when you went there to pray? No? You are silent; then you condemn him!"
He raised his arm. But a girl, rapid as light, threw herself between
him and the priest, and with her fragile hands held the avenging
arm. It was Maria Clara. Ibarra looked at her with eyes like a
madman's. Then, little by little, his tense fingers relaxed; he let
fall the knife, and, covering his face with his hands, he fled.
XXIX.
OPINIONS.
The noise of the affair spread rapidly. At first no one believed it,
but when there was no longer room for doubt, each made his comments,
according to the degree of his moral elevation.
"Father Damaso is dead," said some. "When he was carried away, his
face was congested with blood, and he no longer breathed."
"May he rest in peace, but he has only paid his debt!" said a young
stranger.
"Why do you say that?"
"One of us students who came from Manila for the fete left the church
when the sermon in Tagalo began, saying it was Greek to him. Father
Damaso sent for him afterward, and they came to blows."
"Are we returning to the times of Nero?" asked another student.
"You mistake," replied the first. "Nero was an artist, and Father
Damaso is a jolly poor preacher!"
The men of more years talked otherwise.
"To say which was wrong and which right is not easy," said the
gobernadorcillo, "and yet, if Senor Ibarra had been more moderate----"
Public-domain text, read in full here on John Shaqi.
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