An Egyptian oasis : $b An account of the oasis of Kharga in the Libyan desert, with special reference to its history, physical geography, and water-supplyBeadnell, H. J. L. (Hugh John Llewellyn)
History
An Egyptian oasis : $b An account of the oasis of Kharga in the Libyan desert, with special reference to its history, physical geography, and water-supply
Christianity was introduced into Egypt in the early part of the
Roman domination, and spread rapidly through the country, although
the national Egyptian or Coptic Church was not established until
A.D. 451. Judging by the size and importance of the cemetery at
the south end of Jebel Têr, and by the numerous monasteries,
Christianity must have had a great following in the oasis of
Kharga. During this period many of the temples in Upper Egypt were
converted into churches, and it was not until A.D. 640, when the
Caliphs conquered the country, that Christianity began to wane.
The Christian Necropolis lies 1 kilometre north of the temple of
Hibis, on the southern extremity of the foot-hills of Jebel Têr. The
cemetery, known at the present day as ‘El Baguat,’ consists of a
great number of tombs built of unburnt brick, the majority showing
a considerable amount of architectural decoration. The buildings
cover a large area, and are to a certain extent laid out in streets,
which, as Ball remarks, give the place the appearance more of a
strange deserted town than of a graveyard. Some are small tombs,
noticeable for their simple beauty; others are large mausolea
and sanctuaries, richly ornamented with columns, pilasters, and
arches. Almost without exception the tombs are surmounted by domes,
though, owing to the walls being carried up beyond the base of the
dome, the latter is not always conspicuous from the outside.[6]
The interior walls are invariably plastered and whitewashed,
and covered with numerous Greek and Arabic inscriptions, the old
Egyptian ‘Tau,’ the sign of eternal life, being frequently
displayed. In addition, the walls and domes are in some cases
ornamented with crude coloured designs. The pictures have,
unfortunately, been mostly hacked to pieces or covered by Arabic
writings, so that there are now only two tombs in which the original
paintings are anything like intact. On the dome of one of these,
near the south end of the cemetery, a number of familiar Biblical
personages are represented in colours, their names being inscribed
in Greek characters immediately above. Adam and Eve, Noah, Abraham,
Sara and Isaac, Christ, Paul, and others are clearly distinguishable.
Public-domain text, read in full here on John Shaqi.
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