An English Garner: Critical Essays & Literary Fragments
History
An English Garner: Critical Essays & Literary Fragments
English literature -- History and criticism
This, instead of being an argument upon the question, rightly stated, is
an attempt to prove, that Nothing may seem Something by the help of a
verse; which I easily grant to be the ill fortune of it: and therefore,
the question being so much mistaken, I wonder to see that author trouble
himself twice about it, with such an absolute Triumph declared by his own
imagination. But I have heard that a gentleman in Parliament, going to
speak twice, and being interrupted by another member, as against the
Orders of the House: he was excused, by a third [member] assuring the
House he had not yet spoken to the question.
But, if we examine the General Rules laid down for Plays by strict
Reason; we shall find the errors equally gross: for the great Foundation
that is laid to build upon, is Nothing, as it is generally stated; which
will appear on the examination of the particulars.
First. We are told the Plot should not be so ridiculously contrived, as
to crowd several Countries into one Stage. Secondly, to cramp the
accidents of many years or days, into the Representation of two hours and
a half. And, lastly, a conclusion drawn that the only remaining dispute,
is concerning Time; whether it should be contained in twelve or four and
twenty hours; and the Place to be limited to the spot of ground, either
in town or city, where the Play is supposed to begin [p. 531]. And this
is called _nearest_ to Nature. For that is concluded most natural, which
is most _probable_, and _nearest_ to that which it presents.
I am so well pleased with any ingenious offers, as all these are, that I
should not examine this strictly, did not the confidence of others force
me to it: there being not anything more unreasonable to my judgement,
than the attempts to infringe the Liberty of Opinion by Rules so little
demonstrative.
To shew, therefore, upon what ill grounds, they dictate Laws for Dramatic
Poesy; I shall endeavour to make it evident that there's no such thing, as
what they All pretend [p. 592]. For, if strictly and duly weighed, 'tis as
impossible for one Stage to represent two houses or two rooms truly, as
two countries or kingdoms; and as impossible that five hours or four and
twenty hours should be two hours and a half, as that a thousand hours or
years should be less than what they are, or the greatest part of time to
be comprehended in the less. For _all_ being impossible; they are none of
them nearest the Truth, or nature of what they present. For
impossibilities are all equal, and admit no degrees. And, then, if all
those Poets that have so fervently laboured to give Rules as Maxims,
would but be pleased to abbreviate; or endure to hear their Reasons
reduced into one strict Definition; it must be, That there are _degrees_
in impossibilities, and that many things, which are not possible, may yet
be more or less impossible; and from this, proceed to give Rules to
observe the least absurdity in things, which are not at all.
Public-domain text, read in full here on John Shaqi.
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