An English Garner: Critical Essays & Literary Fragments
History
An English Garner: Critical Essays & Literary Fragments
English literature -- History and criticism
But this is more than [is] necessary to clear my modesty in that point:
and I am very confident that there is scarce any man, who has lost so
much time as to read that trifle, but will be my compurgator as to that
arrogance whereof I am accused. The truth is, if I had been naturally
guilty of so much vanity, as to dictate my opinions; yet I do not find
that the Character of a Positive or Self Conceited Person is of such
advantage to any in this Age, that I should labour to be Publicly
Admitted of that Order.
But I am not, now, to defend my own cause, when that of all the Ancients
and Moderns is in question. For this gentleman, who accuses me of
arrogance, has taken a course not to be taxed with the other extreme of
modesty. Those Propositions which are laid down in my Discourse, as Helps
to the better Imitation of Nature, are _not_ mine, as I have said; nor
were ever pretended so to be: but were derived from the authority of
ARISTOTLE and HORACE, and from the rules and examples of BEN. JOHNSON and
CORNEILLE. These are the men, with whom be properly he contends: and
against _whom he will endeavour to make it evident, that then is no such
thing as what they All pretend_.
His argument against the Unities of PLACE and TIME is this.
_That 'tis as impossible for one Stage to present two Rooms or Houses
truly, as two Countries or Kingdoms; and as impossible that Five hours or
Twenty-four hours should be Two hours as that a Thousand years or hours
should be less than what they are, or the greatest part of time to be
comprehended in the less: for all of them being impossible they are none
of them nearest the Truth or Nature of what they present, for
impossibilities are all equal, and admit of no degrees_.
This argument is so scattered into parts, that it can scarce be united
into a Syllogism: yet, in obedience to him, _I will abbreviate_, and
comprehend as much of it, as I can, in few words; that my Answer to it,
may be more perspicuous.
I conceive his meaning to be what follows, as to the Unity of PLACE. If I
mistake, I beg his pardon! professing it is not out of any design to play
the _argumentative Poet_. "If one Stage cannot properly present two Rooms
or Houses, much less two Countries or Kingdoms; then there can be no Unity
of Place: but one Stage cannot properly perform this; therefore, there can
be no Unity of Place."
I plainly deny his Minor Proposition: the force of which if I mistake
not, depends on this; that "the Stage being one place, cannot be two."
This, indeed, is as great a secret as that, "we are all mortal." But, to
requite it with another, I must crave leave to tell him, that "though the
Stage cannot be two places, yet it may properly Represent them,
successively or at several times."
Public-domain text, read in full here on John Shaqi.
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