An English Garner: Critical Essays & Literary Fragments
History
An English Garner: Critical Essays & Literary Fragments
English literature -- History and criticism
"I should now speak of _the beauty of their Rhyme_, and the just reason I
have to prefer _that way of writing_, in Tragedies, _before ours, in Blank
Verse_. But, because it is partly received by us, and therefore, not
altogether peculiar to them; I will say no more of it, in relation to
their Plays. For our own; I doubt not but it will exceedingly beautify
them: and I can see but one reason why it should not generally obtain;
that is, because our Poets write so ill in it [pp. 503, 578, 598]. This,
indeed, may prove a more prevailing argument, than all others which are
used to destroy it: and, therefore, I am only troubled when great and
judicious Poets, and those who are acknowledged such, have writ or spoke
against it. As for others, they are to be answered by that one sentence
of an ancient author. _Sed ut primo ad consequendos eos quos priores
ducimus accendimur, ita ubi aut praeteriri, aut aequari eos posse
desperavimus, studium cum spe senescit: quod, scilicet, assequi non
potest, sequi desinit; praeteritoque eo in quo eminere non possumus,
aliquid in quo nitamur conquirimus_."
LISIDEIUS concluded, in this manner; and NEANDER, after a little pause,
thus answered him.
"I shall grant LISIDEIUS, without much dispute, a great part of what he
has urged against us.
"For I acknowledge _the French contrive their Plots more regularly;
observe the laws of Comedy, and decorum of the Stage_, to speak
generally, _with more exactness_ _than the English_. Farther, I deny not
but he has taxed us justly, in some irregularities of ours; which he has
mentioned. Yet, after all, I am of opinion, that neither our faults, nor
their virtues are considerable enough to place them above us.
"For _the lively Imitation of Nature_ being the Definition of a Play [p.
513]; those which best fulfil that law, ought to be esteemed superior to
the others, 'Tis true those beauties of the French Poesy are such as will
raise perfection higher where it is; but are not sufficient to give it
where it is not. They are, indeed, the beauties of a Statue, not of a
Man; because not animated with the Soul of Poesy, which is _Imitation of
Humour and Passions_.
"And this, LISIDEIUS himself, or any other, however biased to their
party, cannot but acknowledge; if he will either compare the Humours of
our Comedies, or the Characters of our serious Plays with theirs.
Public-domain text, read in full here on John Shaqi.
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