An Essay on Colophons, with Specimens and TranslationsPollard, Alfred W. (Alfred William)
History
An Essay on Colophons, with Specimens and Translations
Pollard, Alfred W. (Alfred William)
Books -- History -- 1450-1600; Colophons; Incunabula -- Bibliography
Out of all the hundreds of fifteenth-century books with interesting
pictures, this is the only one I can call to mind which gives explicit
information as to its illustrations. Perhaps the publishers thought
that the woodcuts were themselves more conspicuous in the books than
the colophons. But it is certainly strange that when authors, editors,
press-correctors, printers, patrons, and booksellers all get their due,
the illustrators, save in this one instance, should have been kept in
anonymous obscurity.
[Illustration]
[Illustration]
VI
COLOPHONS OF AUTHORS AND EDITORS
Booksellers are a much more learned body than they used to be, but
few readers of second-hand catalogues can have failed to meet with
ascriptions of dates for the printing of books long anterior to the
invention of the art, on the ground of colophons which they know at once
to have been written by the authors. Where only a few years separate
the dates of composition and publication the mistake is easily made
and not always easily detected. The retention of the author’s original
colophon is, however, common enough for cataloguers to be prepared for
it; and there are plenty of cases in which a book possesses two quite
distinct colophons, the first by the author, the second by the printer or
publisher. Thus, to take a simple example from a famous book, we find at
the end of the text of the “Hypnerotomachia” the author’s colophon:
Taruisii cum decorissimis Poliae amore lorulis distineretur
misellus Poliphilus. M.cccc.lxvii. Kalendis Maii.
At Treviso, while the wretched Polifilo was confined by love of
Polia with glittering nets. May 1, 1467.
That of the printer is thirty-two years later:
Venetiis mense Decembri M I D in aedibus Aldi Manutii,
accuratissime.
At Venice, in the month of December, 1499, in the house of Aldo
Manuzio, with very great accuracy.
A more interesting instance of a double colophon occurs in an equally
famous book, the “Morte d’Arthur” of Sir Thomas Malory. In this Malory
writes:
Here is the end of the booke of Kyng Arthur and of his noble
Knyghtes of the Round Table, that when they were hole togyders
there was euer an C and xl, and here is the ende of the deth
of Arthur. I praye you all Ientyl men and Ientyl wymmen that
redeth this book of Arthur and his knyghtes from the begynnyng
to the endyng, praye for me whyle I am on lyue that God sende
me good delyuerance, and whan I am deed I praye you all praye
for my soule. For this book was ended the ix yere of the reygne
of Kyng Edward the fourth, by Syr Thomas Maleore Knyght. As
Ihesu helpe hym for hys grete myght, as he is the seruaunt of
Ihesu bothe day and nyght.
Public-domain text, read in full here on John Shaqi.
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