An Essay on Colophons, with Specimens and TranslationsPollard, Alfred W. (Alfred William)
History
An Essay on Colophons, with Specimens and Translations
Pollard, Alfred W. (Alfred William)
Books -- History -- 1450-1600; Colophons; Incunabula -- Bibliography
The end of Titus Lucretius Carus. When a single copy of
Lucretius came into my hands I hesitated as to printing it,
because it was difficult from a single copy to correct the
slips due to the carelessness of the copyist. But when by
diligent search I could find no second copy, moved by this
very difficulty I was minded even from a single copy to make
a book of the greatest rarity common to many scholars, since
it will be easier to correct a few places, either by a second
copy unearthed from another quarter or by one’s own study and
diligence, than to lack a whole volume. Especially since, far
removed from the fables which (as the poet says) delight empty
minds, our Lucretius handles the keenest questions concerning
the nature of things with so much intellectual acumen and
verbal elegance that all the poets who have followed him
imitate him so in their descriptions, more especially Virgil,
the prince of poets, that with his very words they sometimes
make three lines and more. Thomas Ferrandus.
The name of Lucretius seldom appears in any of the medieval catalogues,
and the number of manuscripts of his “De Rerum Natura” now extant is
so small that his first printer’s plea may well be received. Even in
comparatively modern books, indeed, a satisfactory text was not always
to be obtained for the asking. Chaucer has had no more devout lover
than William Caxton, and yet when Caxton printed the “Canterbury Tales”
he only succeeded in obtaining a manuscript of the worst class to work
from, and when a friend offered him a better text for his second edition
the improvement was very slight. In the same way we find the anonymous
Florentine editor of two tracts of Domenico Cavalca (we cannot be wrong
in assuming that the same editor worked on both) apologizing for the
bad text from which he printed the first few pages of the “Frutti della
Lingua,” and telling how in the case of the “Specchio di Croce” he had
to collate a number of copies in order to replace them by a good printed
edition.
(i) Frutti della Lingua.
Impresso in Firenze con somma diligentia emendato e correcto,
excepto alcuni fogli del principio di decto tractato: e
tale defecto non da nostra inaduertentia, ma da una copia
o uero exemplo tutto corropto e falsificato, impresso per
lo adrieto in firenze per un altro non diligente impressore
procedette. Onde noi cio conoscendo, inuestigando altra copia
emendatissima, secondo quella, quanto ledebole forze del nostro
ingegno ci hanno porto, habbiamo imposto emendato fine al
presente tractato.
Public-domain text, read in full here on John Shaqi.
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