An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
The possession of these rudiments of talent naturally leads {249} to
a certain amount of specialisation. It is attested again and again
that our uncultured savage communities possess their professional
pantomists, jesters and wits. Indeed, we read of crude forms of a
comic art among savages so low in the scale as the Australians and
the Tasmanians. Thus, Lumholtz writes of the pantomimic dances of the
Australian blacks,[211] and Ling Roth assures us that the Tasmanians
have their drolls and mountebanks, who exhibit the peculiarities of
individuals with considerable force.[212] Among the Sumatrans, again,
are to be found “characters of humour,” who by buffoonery, mimicry,
punning, repartee and satire are able to keep the company in laughter
at intervals during a night’s entertainment.[213] In some cases jesters
are appointed by a chief, just as a fool used to be selected by one of
our kings. In Samoa every chief has his regular clown, a privileged
person who, among other liberties, is allowed that of taking the food
out of the chiefs mouth.[214] A privileged buffoon in Kanowit, who had
been given an old gun, told the Resident that he had killed fourteen
deer with one bullet. The Resident being puzzled, he explained that
he had cut the bullet out each time.[215] Here we have the exact
counterpart to the trick of the European clown of the circus.
Among the Eskimo of Greenland, it seems, there is a regular performance
in which the aspiring “funny men” compete for popular favour. After a
repast they get up, one after the other, each exhibiting his musical
resources by beating a drum and singing, and adding a touch of the
actor’s art by making comical gestures, and playing ridiculous tricks
with the face, head and limbs.[216] Much the same kind of contest
takes place {250} in connection with their peculiar ordeals, already
referred to. Each of the two litigants tries to make the other
ridiculous, by singing satirical songs and relating misdeeds; and the
one who succeeds in getting the audience to laugh most at his jibes or
invectives is pronounced the conqueror. Even such serious crimes as
murder are often expiated in this merry fashion.[217]
In one or two cases we read of more elaborate entertainments. Thus,
some of the natives of the Western Pacific have a regular masquerade
performed before the King, into which may enter a histrionic
representation of a British sailor with his cutlass, acted by a leading
buffoon, who combines with the _rôle_ of a “premier” the “fool’s”
privilege of breaking through the strict laws of decorum by pointing
to the King and asking ironically if that was the King—amid shouts of
laughter.[218]
Public-domain text, read in full here on John Shaqi.
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