An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
It is probable that the imitation of what is distinctive and fixed in
the costume and manners of the higher class preceded by some interval
the imitation of the changes we call fashion. How the two are connected
does not seem to be quite clear. Did the rulers and those immediately
about them, piqued at the adoption of their ways by the vulgar, try
to steal a march on imitation by changing their customs? To judge
from what takes place to-day, one would answer “yes”. I am told that
ladies strongly object to go on wearing a fashionable hat as soon as
it becomes generally worn by factory girls, or other inferior group.
However this be, it seems certain that the “leaders of society,” while
they reserve for special ceremonial occasions a distinctive dress,
mode of speech and the rest, choose to alter these from time to time
for other purposes. Such alterations may be the result of the caprices
of a “leader,” guided by some inventor, or they may take the form of
an assimilation of a foreign mode. Lastly, the leaders may include
others besides the Court people: the universities are accredited
with the origination of many of the pretty bits of slang, the use of
{275} which is supposed to betoken a certain social altitude and
“up-to-dateness”.
In the midst of these changes of fashion something of custom may be
seen still to persist. Taking the dress of woman to-day, we note that
in spite of experiments like those of the Bloomers, skirts continue to
be a permanent feature in female attire. Fashions in respect of width,
and even of length, may come and go, but the skirt as skirt seems to go
on for ever.
Even when the impulse to adopt the dress and behaviour of the upper
class was allowed a certain play, it was probably long before it acted
on all ranks. Each rank, whilst keen in its imitation of the ways of
the class above it, would naturally resist any further descent of the
imitative movement.
Public-domain text, read in full here on John Shaqi.
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