An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
The connections between these movements of fashion and the spirit of
laughter are numerous and pretty obvious. Even the primal movement,
the adoption of a fashion by the head of a community from abroad,
offers a rich spectacle for those who lie in wait for the coming of the
ludicrous. How finely the folly that lurks in a slavish submission to
fashion grins out at us from the story of those New Zealand chiefs who,
goaded by the fashion set by others of giving great feasts, would often
push their feast-givings to the point of causing a famine among their
peoples![241] The following {277} of a foreign fashion by a court has
in it, moreover, always something to prick the spirit of malicious
laughter in the subjects. Not so terribly long since, the importation
of customs from one European court to another, and a reciprocation of
the loan, by way of family connections, was the subject of a rather
malicious laughter in each of the countries affected.
It is, however, in the downward rush of fashion from rank to rank, and
the incidents which attend it, that the seeker for the laughable will
find his satisfaction. The eagerness of persons to be in the van of
the movement will of itself produce a crop of ludicrous aspects: for
the first sudden appearance of a large and capturing novelty, say in
a high-branded bonnet or manner of speech, brings to us something of
the delightful gaiety which the sight of the clown brings to a child.
It is a huge folly, which we greet with the full, unthinking roar of
hilarity. Never, indeed, does the inherent non-rationality of a large
part of human behaviour reveal itself so directly and so unmistakably
as when a fashion which has reigned long enough to become accepted
as right is thus rudely thrust aside in favour of an interloper:
whence the laughing contempt poured on new fashions by comic poets and
satirists.[242]
Nor is this all, or the best. The behaviour of the ardent aspirant
has its absurd aspect even for dull souls. The form of self-assertion
which consists in stepping out of one’s rank is always viewed by
those of the deserted rank with an acidulated amusement; and those
who are too manifestly eager to appropriate a new fashion are wont to
be regarded as persons who are trying to get above their set. If the
{278} fashionable cosmetic is laid on thickly, as it pretty certainly
will be by those seized with the more vulgar form of social ambition,
the fun will wax still greater. The display in this case adds to the
delightful transformation of the clown a touch of the bombast of the
mountebank.
Public-domain text, read in full here on John Shaqi.
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