An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
In asserting that gentle humour has its descent from such an uncouth
ancestry, we must not be supposed to imply that its genesis has been
a sudden or a simple process. As has been suggested, the sentiment
is highly complex. It presupposes in its possessor the presence of a
particular assemblage of qualities which may be expected to be rare;
and a study of the development both of the individual and of the race
tells us that this grouping of qualities is, of all the products of
nature’s laboratory, one of the most delicate, one exacting from her a
very special effort of preparation.
Although humour is correctly described as a sentiment, its most
apparent, if not most important condition, is a development of
intelligence. It is plainly an example of what Mr. Meredith calls
“the laughter of the mind,” an expression which makes the large
presupposition that we have this mind. It thrives best at the level
of ideas. Yet the element of intellect which is vital to humour does
not imply subtlety of mind, still less the presence of ideas remote
from the plane of ordinary men’s understanding. What is needed is a
mind given to musing on what it observes—it may be that of a shrewd
housewife—having a sufficient life and independence of movement to rise
above the dull mechanical acceptance of things, to pierce these with
the ray of a fresh criticism.
The distinguishing intellectual element in humorous contemplation is
a larger development of that power of grasping things together, and
in their relations, which is at {301} the root of all the higher
perceptions of the laughable. More particularly, it is a mental habit
of projecting things against their backgrounds, of viewing them in
their complete settings—so far as this involves those relations of
contrariety which, as we have allowed, are of the essence of the
ludicrous, in the stricter sense of the term. This comprehension of
the setting is dependent on a process of _imaginative reflection_; for
the background which humour requires is not the same as the visible
background, but has, to a considerable extent, to be reinstated, or
rather to be constructed.
Public-domain text, read in full here on John Shaqi.
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