An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
The main point of this theory, that whenever we enjoy the ludicrous we
are consciously realising our superiority to another, will, I think,
hardly bear examination. That in this enjoyment there may be, and
often is, an element of this agreeable sense of elevation I readily
allow, and I shall try to show presently how it gets there. But it is
altogether inadequate as an exhaustive account of the several varieties
of our laughing satisfaction. Even in the groups of cases to which it
seems to be most plainly applicable, for example, those of mischances
and awkward situations, it is not a sufficient explanation. Is there
any discoverable trace of the uplifting of pride, of the temper of
“Schadenfreude”—the malicious satisfaction of watching from the safe
shore the tossings of mariners in a storm—in the instantaneous response
of our mirth to the spectacle of the skater’s wild movements when for
a moment he loses equilibrium, or of the hat wind-driven far from its
proper seat on the respectable citizen’s head? Is there time here for
mentally bringing in the contrasting idea of our own immunity? Has the
laugh the characteristic taste of the outburst of contempt which is
excited by the consciousness of victory, of taking somebody down?
In dealing with this type of theory, it seems only fair to test it in
the more mature form given it by a recent writer. Prof. Alexander Bain
defines “the occasion of the ludicrous” as “the degradation of some
person or interest possessing dignity in circumstances that excite no
other strong emotion”. The most marked improvements here on Hobbes’
statement are (1) that consciousness of our own superiority {122}
need not come in, since we may laugh sympathetically with another who
scores off his adversary, and so forth; (2) that the object degraded
need not be a person, since human affairs in general, _e.g._, political
institutions, a code of manners, a style of poetic composition, may be
taken down; and (3) that, as in Aristotle’s theory, certain limiting
conditions, namely, absence of counteracting emotions, such as pity
or disgust, are recognised. These extensions on the one hand and
limitations on the other are clearly meant to safeguard the Hobbesian
principle against the attacks to which it so dangerously exposes
itself.[66]
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