An Essay on Laughter: Its Forms, Its Causes, Its Development and Its ValueSully, James
Philosophy
An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value
Sully, James
Laughter
Even if we adopt this amended form of Schopenhauer’s theory, we find
that it is not sufficient for explaining his examples. Of the funny
tangential angle no more need be said. Nor will his illustration of the
self-befooled warders bear close inspection. To begin with, one may
note a certain arbitrariness in the use of a mode of interpretation
which plainly allows of an alternative. We can say equally well,
either (with Schopenhauer) that the extrusion of a cheat who is also
a prisoner will not fit into the general rule “cheats have to be
ejected,” or that the extrusion of a prisoner who is also a cheat
will not fit into the rule that prisoners have to be confined.[72] It
seems to be more fitting here also to regard the incongruity—so far as
the perception of this is the direct cause of our laughter—as holding
between two aspects of the incident presented. The man is envisaged
at once as a cheat and as a prisoner, and as such comes under two
_régimes_ which directly conflict. The perception of the fun of the
story surely begins with a discernment of this mutual interference of
two systems of rule.
Yet this is certainly not all or the chief part of the perception. The
unstinting laugh comes only when we view the keepers as naïvely “giving
themselves away” to their prisoner by consenting to become playmates,
and so putting themselves under a rule which wholly destroys their
_rôle_ as custodians. Here, too, then, the principle of incongruity
shows itself to be insufficient.
It only remains to add that if Schopenhauer’s theory turns out to be
inadequate even when applied to an example chosen by himself, it is
pretty certain to fail when applied to other groups of instances of
the laughable in our list, in which incongruity does not seem to be a
potent {133} ingredient, if indeed it is present at all. To suggest,
for example, that our laughter at small and harmless vices, such as
Aristotle speaks of, is the outcome of a suddenly conceived incongruity
between a “real object” or presentation and a conception sounds
sufficiently forced. Would the author of the theory have been prepared
to say that in these instances we have present to our mind the concept
of a perfectly virtuous man, and that our laughter comes of our failing
to bring the perception under this conception? Surely the intrusion
of any such exalted “concept” would be fatal to our enjoyment of the
laughable aspect of vice.
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