The practitioner of every art and profession may afford matter of general speculation to the man of science; and thinking itself, in this age of separations, may become a peculiar craft. In the bustle of civil pursuits and occupations, men appear in a variety of lights, and suggest matter of inquiry and fancy, by which conversation is enlivened, and greatly enlarged. The productions of ingenuity are brought to the market; and men are willing to pay for whatever has a tendency to inform or amuse. By this means the idle, as well as the busy, contribute to forward the progress of arts, and bestow on polished nations that air of superior ingenuity, under which they appear to have gained the ends that were pursued by the savage in his forest, knowledge, order, and wealth. SECTION II. OF THE SUBORDINATION CONSEQUENT TO THE SEPARATION OF ARTS AND PROFESSIONS. There is one ground of subordination in the difference of natural talents and dispositions; a second in the unequal division of property; and a third, not less sensible, in the habits which are acquired by the practice of different arts. Some employments are liberal, others mechanic. They require different talents, and inspire different sentiments; and whether or not this be the cause of the preference we actually give, it is certainly reasonable to form our opinion of the rank that is due to men of certain professions and stations, from the influence of their manner of life in cultivating the powers of the mind, or in preserving the sentiments of the heart. There is an elevation natural to man, by which he would be thought, in his rudest state, however urged by necessity, to rise above the consideration of mere subsistence, and the regards of interest: he would appear to act only, from the heart, in its engagements of friendship or opposition; he would shew himself only upon occasions of danger or difficulty, and leave ordinary cares to the weak or the servile. The same apprehensions, in every situation, regulate his notions of meanness or of dignity. In that of polished society, his desire to avoid the character of sordid, makes him conceal his regard for what relates merely to his preservation or his livelihood. In his estimation, the beggar, who depends upon charity; the labourer, who toils that he may eat; the mechanic, whose art requires no exertion of genius, are degraded by the object they pursue, and by the means they employ to attain it. Professions requiring more knowledge and study; proceeding on the exercise of fancy, and the love of perfection; leading to applause as well as to profit, place the artist in a superior class, and bring him nearer to that station in which men, because they are bound to no task, because they are left to follow the disposition of the mind, and to take that part in society to which they are led by the sentiments of the heart, or by the calls of the public, are supposed to be highest.