This is, perhaps, the principal characteristic, on which, among modern nations, we bestow the epithets of _civilized_ or of _polished_. But we have seen, that it did not accompany the progress of sorts among the Greeks, nor keep pace with the advancement of policy, literature, and philosophy. It did not await the returns of learning and politeness among the moderns; it was found in an early period of our history, and distinguished, perhaps more than at present; the manners of the ages otherwise rude and undisciplined. A king of France, prisoner in the hands of his enemies, was treated, about four hundred years ago, with as much distinction and courtesy as a crowned head, in the like circumstances, could possibly expect in this age of politeness. [Footnote: Hume's History of England.] The prince of Conde, defeated and taken in the battle of Dreux, slept at night in the same bed with his enemy the duke of Guise. [Footnote: Davila.] If the moral of popular traditions, and the taste of fabulous legends, which are the productions or entertainment of particular ages, are likewise sure indications of their notions and characters, we may presume, that the foundation of what is now held to be the law of war, and, of nations, was laid in the manners of Europe, together with the sentiments which are expressed in the tales of chivalry, and of gallantry. Our system of war differs not more from that of the Greeks, than the favourite characters of our early romance differed from those of the Iliad, and of every ancient poem. The hero of the Greek fable, endued with superior force, courage, and address, takes every advantage of an enemy, to kill with safety to himself; and, actuated by a desire of spoil, or by a principle of revenge, is never stayed in his progress by interruptions of remorse or compassion. Homer, who, of all poets, knew best how to exhibit the emotions of a vehement affection, seldom attempts to excite commiseration. Hector falls unpitied, and his body is insulted by every Greek. Our modern fable, or romance, on the contrary, generally couples an object of pity, weak, oppressed, and defenceless, with an object of admiration, brave, generous, and victorious; or sends the hero abroad in search of mere danger, and of occasions to prove his valour. Charged with the maxims of a refined courtesy, to be observed even towards an enemy; and of a scrupulous honour, which will not suffer him to take any advantages by artifice or surprise; indifferent to spoil, he contends only for renown, and employs his valour to rescue the distressed, and to protect the innocent. If victorious, he is made to rise above nature as much in his generosity and gentleness, as in his military prowess and valour.