How silent is now Versailles!—The solitary foot, that mounts the sumptuous stair-case, rests on each landing-place, whilst the eye traverses the void, almost expecting to see the strong images of fancy burst into life.—The train of the Louises, like the posterity of the Banquoes, pass in solemn sadness, pointing at the nothingness of grandeur, fading away on the cold canvass, which covers the nakedness of the spacious walls—whilst the gloominess of the atmosphere gives a deeper shade to the gigantic figures, that seem to be sinking into the embraces of death. Warily entering the endless apartments, half shut up, the fleeting shadow of the pensive wanderer, reflected in long glasses, that vainly gleam in every direction, slacken the nerves, without appalling the heart; though lascivious pictures, in which grace varnishes voluptuousness, no longer seductive, strike continually home to the bosom the melancholy moral, that anticipates the frozen lesson of experience. The very air is chill, seeming to clog the breath; and the wasting dampness of destruction appears to be stealing into the vast pile, on every side. The oppressed heart seeks for relief in the garden; but even there the same images glide along the wide neglected walks—all is fearfully still; and, if a little rill creeping through the gathering moss down the cascade, over which it used to rush, bring to mind the description of the grand water works, it is only to excite a languid smile at the futile attempt to equal nature. Lo! this was the palace of the great king!—the abode of magnificence! Who has broken the charm?—Why does it now inspire only pity?—Why;—because nature, smiling around, presents to the imagination materials to build farms, and hospitable mansions, where, without raising idle admiration, that gladness will reign, which opens the heart to benevolence, and that industry, which renders innocent pleasure sweet.