An Historical Mystery (The Gondreville Mystery)Balzac, Honoré de
General
An Historical Mystery (The Gondreville Mystery)
Balzac, Honoré de
Detective and mystery stories; French fiction -- Translations into English; Historical fiction
Criminal court of Troyes.
In April, 1806, neither the four judges nor the president (or
chief-justice) who made up the court, nor the public prosecutor, the
director of the jury, the commissary of the government, nor the sheriffs
or lawyers, in fact no one except the gendarmes, wore any robes or
other distinctive sign which might have relieved the nakedness of the
surroundings and the somewhat meagre aspect of the figures. The crucifix
was suppressed; its example was no longer held up before the eyes of
justice and of guilt. All was dull and vulgar. The paraphernalia
so necessary to excite social interest is perhaps a consolation to
criminals. On this occasion the eagerness of the public was what it has
ever been and ever will be in trials of this kind, so long as France
refuses to recognize that the admission of the public to the courts
involves publicity, and that the publicity given to trials is a terrible
penalty which would never have been inflicted had legislators reflected
on it. Customs are often more cruel than laws. Customs are the deeds of
men, but laws are the judgment of a nation. Customs in which there is
often no judgment are stronger than laws.
Crowds surrounded the courtroom; the president was obliged to station
squads of soldiers to guard the doors. The audience, standing below the
bar, was so crowded that persons suffocated. Monsieur de Grandville,
defending Michu, Bordin, defending the Simeuse brothers, and a lawyer
of Troyes who appeared for the d’Hauteserres, were in their seats before
the opening of the court; their faces wore a look of confidence. When
the prisoners were brought in, sympathetic murmurs were heard at the
appearance of the young men, whose faces, in twenty days’ imprisonment
and anxiety, had somewhat paled. The perfect likeness of the twins
excited the deepest interest. Perhaps the spectators thought that Nature
would exercise some special protection in the case of her own anomalies,
and felt ready to join in repairing the harm done to them by destiny.
Their noble, simple faces, showing no signs of shame, still less of
bravado, touched the women’s hearts. The four gentlemen and Gothard wore
the clothes in which they had been arrested; but Michu, whose coat and
trousers were among the “articles of testimony,” so-called, had put
on his best clothes,--a blue surtout, a brown velvet waistcoat _a la_
Robespierre, and a white cravat. The poor man paid the penalty of his
dangerous-looking face. When he cast a glance of his yellow eye, so
clear and so profound upon the audience, a murmur of repulsion answered
it. The assembly chose to see the finger of God bringing him to the dock
where his father-in-law had sacrificed so many victims. This man, truly
great, looked at his masters, repressing a smile of scorn. He seemed to
say to them, “I am injuring your cause.” Five of the prisoners exchanged
greetings with their counsel. Gothard still played the part of an idiot.
Public-domain text, read in full here on John Shaqi.
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