An Historical Mystery (The Gondreville Mystery)Balzac, Honoré de
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An Historical Mystery (The Gondreville Mystery)
Balzac, Honoré de
Detective and mystery stories; French fiction -- Translations into English; Historical fiction
One fine night he came to the place armed with a pickaxe, and by the
sweat of his brow uncovered a succession of cellars, which were entered
by a flight of stone steps. The pond, which was three feet deep in the
middle, formed a sort of dipper, the handle of which seemed to come from
the little eminence, and went far to prove that a spring had once issued
from the crags, and was now lost by infiltration through the forest. The
marshy shores of the pond, covered with aquatic trees, alders, willow,
and ash, were the terminus of all the wood-paths, the remains of former
roads and forest by-ways, now abandoned. The water, flowing from a
spring, though apparently stagnant, was covered with large-leaved
plants and cresses, which gave it a perfectly green surface almost
indistinguishable from the shores, which were covered with fine close
herbage. The place is too far from human habitations for any animal,
unless a wild one, to come there. Convinced that no game was in the
marsh and repelled by the craggy sides of the hills, keepers and hunters
had never explored or visited this nook, which belonged to a part of the
forest where the timber had not been cut for many years and which Michu
meant to keep in its full growth when the time came round to fell it.
At the further end of the first cellar was a vaulted chamber, clean
and dry, built with hewn stone, a sort of convent dungeon, such as they
called in monastic days the _in pace_. The salubrity of the chamber and
the preservation of this part of the staircase and of the vaults were
explained by the presence of the spring, which had been enclosed at some
time by a wall of extraordinary thickness built in brick and cement
like those of the Romans, and received all the waters. Michu closed the
entrance to this retreat with large stones; then, to keep the secret of
it to himself and make it impenetrable to others, he made a rule never
to enter it except from the wooded height above, by clambering down the
crag instead of approaching it from the pond.
Just as the fugitives arrived, the moon was casting her beautiful
silvery light on the aged tree-tops above the crag, and flickering on
the splendid foliage at the corners of the several paths, all of which
ended here, some with one tree, some with a group of trees. On all
sides the eye was irresistibly led along their vanishing perspectives,
following the curve of a wood-path or the solemn stretch of a forest
glade flanked by a wall of verdure that was nearly black. The moonlight,
filtering through the branches of the crossways, made the lonely,
tranquil waters, where they peeped between the crosses and the
lily-pads, sparkle like diamonds. The croaking of the frogs broke the
deep silence of this beautiful forest-nook, the wild odors of which
incited the soul to thoughts of liberty.
“Are we safe?” said the countess to Michu.
Public-domain text, read in full here on John Shaqi.
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