An Historical Mystery (The Gondreville Mystery)Balzac, Honoré de
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An Historical Mystery (The Gondreville Mystery)
Balzac, Honoré de
Detective and mystery stories; French fiction -- Translations into English; Historical fiction
Love, like their own mother, was unable to distinguish between the
brothers. Laurence was obliged (in order to know them apart and make no
mistakes) to give them different cravats--to the elder a white one, to
the younger black. Without this perfect resemblance, this identity of
life, which misled all about them, such a situation would be justly
thought impossible. It can, indeed, be explained only by the fact
itself, which is one of those which men do not believe in unless they
see them; and then the mind is more bewildered by having to explain them
than by the actual sight which caused belief. If Laurence spoke, her
voice echoed in two hearts equally faithful and loving with one tone.
Did she give utterance to an intelligent, or witty, or noble thought,
her glance encountered the delight expressed in two glances which
followed her every movement, interpreted her slightest wish, and
beamed upon her ever with a new expression, gaiety in the one, tender
melancholy in the other. In any matter that concerned their mistress
the brothers showed an admirable quick-wittedness of heart coupled with
instant action which (to use the abbe’s own expression) approached the
sublime. Often, if something had to be fetched, if it was a question of
some little attention which men delight to pay to a beloved woman, the
elder would leave that pleasure to the younger with a look at Laurence
that was proud and tender. The younger, on the other hand, put all his
own pride into paying such debts. This rivalry of noble natures in a
feeling which leads men often to the jealous ferocity of the beasts
amazed the old people who were watching it, and bewildered their ideas.
Such little details often drew tears to the eyes of the countess.
A single sensation, which is perhaps all-powerful in some rare
organizations, will give an idea of Laurence’s emotions; it may be
perceived by recalling the perfect unison of two fine voices (like those
of Malibran and Sontag) in some harmonious _duo_, or the blending of
two instruments touched by the hand of genius, their melodious tones
entering the soul like the passionate sighing of one heart. Sometimes,
seeing the Marquis de Simeuse buried in an arm-chair and glancing from
time to time with deepest melancholy at his brother and Laurence who
were talking and laughing, the abbe believed him capable of making the
great sacrifice; presently, however, the priest would see in the young
man’s eyes the flash of an unconquerable passion. Whenever either of the
brothers found himself alone with Laurence he might reasonably suppose
himself the one preferred.
“I fancy then that there is but one of them,” explained the countess to
the abbe when he questioned her. That answer showed the priest her total
want of coquetry. Laurence did not conceive that she was loved by two
men.
“But, my dear child,” said Madame d’Hauteserre one evening (her own son
silently dying of love for Laurence), “you must choose!”
Public-domain text, read in full here on John Shaqi.
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