An Illustrated History of Ireland from AD 400 to 1800Cusack, Mary Francis
History
An Illustrated History of Ireland from AD 400 to 1800
Cusack, Mary Francis
Ireland -- History
The reign of Cormac Mac Airt is unquestionably the most celebrated of
all our pagan monarchs. During his early years he had been compelled to
conceal himself among his mother's friends in Connaught; but the severe
rule of the usurper Mac Con excited a desire for his removal, and the
friends of the young prince were not slow to avail themselves of the
popular feeling. He, therefore, appeared unexpectedly at Tara, and
happened to arrive when the monarch was giving judgment in an important
case, which is thus related: Some sheep, the property of a widow,
residing at Tara, had strayed into the queen's private lawn, and eaten
the grass. They were captured, and the case was brought before the king.
He decided that the trespassers should be forfeited; but Cormac
exclaimed that his sentence was unjust, and declared that as the sheep
had only eaten the fleece of the land, they should only forfeit their
own fleece. The _vox populi_ applauded the decision. Mac Con started
from his seat, and exclaimed: "That is the judgment of a king." At the
same moment he recognized the prince, and commanded that he should be
seized; but he had already escaped. The people now recognized their
rightful king, and revolted against the usurper, who was driven into
Munster. Cormac assumed the reins of government at Tara, and thus
entered upon his brilliant and important career, A.D. 227.
Cormac commenced his government with acts of severity, which were,
perhaps, necessary to consolidate his power. This being once firmly
established, he devoted himself ardently to literary pursuits, and to
regulate and civilize his dominions. He collected the national laws, and
formed a code which remained in force until the English invasion, and
was observed for many centuries after outside the Pale. The bards dwell
with manifest unction on the "fruit and fatness" of the land in his
time, and describe him as the noblest and most bountiful of all princes.
Indeed, we can scarcely omit their account, since it cannot be denied
that it pictures the costume of royalty in Ireland at that period,
however poetically the details may be given. This, then, is the bardic
photograph:--
Public-domain text, read in full here on John Shaqi.
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