Interpersonal relations -- Fiction; Spiritualism -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“Chrissalyn, dear Chrissalyn, you have always been a blessing and a
comfort to me; but now you have opened the whole universe to me; you
have given me light--the brightest light that can come to any one.
That scrawling line tells me more than any volume ever printed could.
It is from an old-time friend, who died soon after I last saw him, one
who loved me well. His name was Westfield, but because of his fondness
for quoting from Moore in political speeches, and what the slang of
newspaper offices calls ‘fine writing,’ his chums dubbed him, ‘Gaily,
the Troubadour,’ and by this affectionate nickname one of his old
comrades frequently addressed him in my presence. And he named me a
tall young pine. You knew none of this, for I am sure I never told you
about him. Therefore it cannot have been taken from your mind, neither
can it have been drawn from mine, for I never thought of _him_. If
I had any one in mind, it was Prescott, because you had dreamed of
Prescott in connection with Planchette, and because I have wondered
so much about him since he went away--wondered in what part of the
universe his dauntless spirit has found action, or if he _is_ at all.
Yet I scarcely dared hope even for him, for there was the possibility
that death was the end of everything. I had no proof to the contrary.”
The Butterfly was a trifle dazed by the emotion of her friend, who
was usually so self-possessed. Even by the light of her explanation
she could scarcely take it in. The subject of death, no matter how
treated, was repugnant to her. Even proof that death was not death had
but little interest for her. Of course there was something afterward.
Everybody knew that. Wasn’t it all set down in the books somewhere,
straight enough? But what was the use of dwelling on a subject that
had so many unpleasant features in it? Or why delve after the facts in
regard to it? That was her manner of dealing with this mighty question.
What attracted her was life--yes, life, poor, cramped, hard and ugly
as some of it had been for her, still she loved it, found joy in it,
craved it and its material pleasures and never wanted to be reminded
that it had an end. A new gown could arouse her enthusiasm, and a
flashing jewel give her supreme pleasure; but death, ugh! who wanted to
talk of so gruesome an event? Dead people lived somewhere, as a matter
of course, but wasn’t it best to let them alone in their own place
wherever it is, and have nothing to do with them?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account