The need of expert study of the human mind as the instrument of scientific discovery might have been inferred from the fact that the physicist Tyndall read before the British Association in 1870 a paper on the Scientific Use of the Imagination, in which he spoke of the imagination as the architect of physical theory, cited Newton, Dalton, Davy, and Faraday as affording examples of the just use of this creative power of the mind, and quoted a distinguished chemist as identifying the mental process of scientific discovery with that of artistic production. Tyndall even chased the psychologists in their own field and stated that it was only by the exercise of the imagination that we could ascribe the possession of mental powers to our fellow creatures. "You believe that in society you are surrounded by reasonable beings like yourself.... What is your warrant for this conviction? Simply and solely this: your fellow-creatures behave as if they were reasonable." On the traces of this brilliant incursion of the natural philosopher into the realm of mental science, later psychologists must follow but haltingly. Just as in the history of physics a long series of studies intervened between Bacon's hypothesis that heat is a kind of motion (1620) and Tyndall's own work, _Heat as a Mode of Motion_ (1863), so must many psychological investigations be made before an adequate psychology of scientific discovery can be formulated. It may ultimately prove that the passages in which Tyndall and other scientists speak of scientific _imagination_ would read as well if for this term, intuition, inspiration, unconscious cerebration, or even reason were substituted. At first glance it would seem that the study of the sensory elements of consciousness, motor, tactile, visual, auditory, olfactory, gustatory, thermal, internal, pursued for the last half century by the experimental method, would furnish a clue to the nature of the imagination. A visual image, or mental picture, is popularly taken as characteristic of the imaginative process. In fact, the distinguished psychologist William James devotes the whole of his interesting chapter on the imagination to the discussion of different types of imagery. The sensory elements of consciousness are involved, however, in perception, memory, volition, reason, and sentiment, as they are in imagination. They have been recognized as fundamental from antiquity. Nothing is in the intellect which was not previously in the senses. To be out of one's senses is to lack the purposive guidance of the intelligence.